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Pareeksha

Gangaajal

Saand Ki Aankh

Apaharan


            Raajneeti is the story of one mans struggle to keep away from his family's business -- politics. But having been sucked in, he must fight to master the game and unwillingly descend into the moral hell that is Indian democracy. The rivalry of two sets of cousins escalates into an all-out war and draws the protagonist into the dark side of dealing with his enemies, thus completing his own journey into corruption. At the heart of this drama is political gamesmanship, unstoppable ambition, a blind lust for power and those who wield it at will.
    

Raajneeti

Hip Hip Hurray


            Three women in a Bihar village are sentenced to death by their menfolk. Their crime is that they dared to protest.Ketki (Madhuri Dixit), an educated young girl with dreams in her eyes, gets married into a family of upper class landlords, whose fortunes have been consumed by lethargy and extravagance. Her husband Vinay Singh (Ayub Khan) has no agricultural land left, does not have the capital to start a business, and fails to secure a job due to the governments policy of reservation for the backward castes. Ketki makes sacrifices to support him in his entrepreneurial endeavours. But fails to restrain him when, in desperation to get rich quick, he aligns with the wrong people. Contractor and power broker Tirpat (Mohan Joshi) and local politician Pandey (Harish Patel) make use of Vinay's innocence for their own profit. Vinay's degeneration is complete when he thrashes Ketki for objection to his misdeeds. Her upbringing, self-respect and righteousness make it difficult for her to bear this humiliation. She suffers.Chandravati (Shabana Azmi) is the wife of Vinay's elder brother Abhay Singh (Mohan Agashe). Greedy for the wealth and political clout of the local temple, Abhay Singh masterminds the murder of the temple head and gets himself ordained as his successor. This entails renouncing the world and deserting his wife, which he cruelly does, citing her childlessness. The truth is that Chandravati has shielded her husband's impotence for seventeen years and now suddenly finds herself in the ignominious position of an abandoned woman. The solace offered by a lower caste well wisher of the family Rambaran (Om Puri) causes unexpected problems for her. She suffers.Kanti (Shilpa Shirodkar), a low-caste labourer is exploited by the contractor to whom her husband owed money Burdened with looking after an ailing mother, while her husband is away to earn money to repay the debt, she lives in the hope that he will return, She suffers.Suffering comes naturally to women here. Regardless of caste and class, their role in the family and society is predetermined and they must never cross these limits. Several social, moral and mythological images have been created to indoctrinate women with the virtue of sacrifice and submissiveness. They must conform to these role models.However, circumstances force the women in Mrityudand to break these rules and make their own. This cannot be tolerated as the Society finds its maleness threatened, and the men, putting aside their own bloodthirsty conflicts, unite to teach the women a lesson.The three women are branded evil and sentenced to death. But when the men come to carry out the Death Sentence, there is a silent but massive rebellion which they are not prepared for.
    

Death Sentence

Lipstick Under My Burkha

Chakravyuh


            Following the Mandal Commission report and the Supreme Court of India's decision to maintain a 27 percent reservation for Dalits and lower/backward castes, right-winged political parties organize protests. The Principal of Shakuntala Thakral Mahavidyalal, a non-government college which is exempt from this mandate, gets the limelight when it's Principal, Prabhakar Anand, apparently discriminates against upper caste students and endorses the decision - much to the ire of the trustees as well as the newly appointed Vice-Principal Mithilesh Singh, who has invested Rs.1200 Crores in private coaching classes. Prabhakar refuses to change his stand and ends up tendering his resignation, taking his family, consisting of his wife, Kavita and daughter, Poorbi, to live near Shambhu Yadav's Tabela after they find their family home has been taken over by Mithilesh's coaching classes. Attempts to evict the coaching class staff will not only be in vain but also end up frustrating and alienating Prabhakar from his friends and family so much so that he will be blamed by everyone - including the leader of the Dalits, Neta Bhishamber. Then he gets summoned by the local police when media reports show that he had instigated Deepak Kumar, one of his pupils, to vandalize the premises of the coaching class and threaten it's staff. But things will turn even worse after the local authorities decide to demolish the Tabela - which will end up rendering the family homeless.
    

Aarakshan

Khoya Khoya Chand


            Satyagraha is a story of a son who yearns for a father. Of a father, who grieves for his lost son. Of a young woman who fights so hard with life that she has forgotten to love. Of an ambitious rabble-rouser,for whom action is the knee-jerk mantra. It is the story of how these four discover one another, and come together to raise hell, shaking the powers that be to their very roots! But, Satyagraha is also the story of an influential power-hungry despot who will stop at nothing to destroy them. Satyagraha - welcome to the fight!
    

Satyagraha

Rahul


            Dil Kya Kare is the poignant saga of three individuals who are thrown into the pathos of emotional turmoil at the merciless hands of fate. It is a story about unconditional love - love between child and adult, love between a husband and wife, love between tow lovers - love that knows no parameters, no restrictions.Anand Kishore (Ajay Devgan) is a successful architect who leads a blissfully content life with his wife Kavita (Mahima Choudhary), five-year-old daughter Neha (Akshita Garud) and close friend Somu (Chandrachur Singh) - a billionaire by lineage, poet by choice. A picture perfect family, full of love, laughter and sunshine - life for them is one happy dream. Trouble begins when Kavita discovers that some 'aunty' has been visiting Neha at home and showering her with gifts - without her knowledge. She also learns from Neha's school principal that the same 'aunty' has been visiting Neha regularly at school as well. Kavita gets very disturbed by these happenings, and just when she is at the end of her tether, the mysterious 'aunty' surfaces in person, in the form if Nandita Rai (Kajol).A series of startling revelations - the biggest one being that Nandita is in fact the biological mother of Neha, leaves Kavita disillusioned, Nandita traumatized, Anand devastated and little Neha confused. The once happy and peaceful Kishore family is left shattered and anchor-less. What ensues is a series of events that tests not only the integrity and strength of the Kishore family, but also question the so called set norms of society, and of what is 'right and what is 'wrong'. Nobody is really at fault and everybody wants to see each other happy.The question is... who will finally make the supreme sacrifice and get at least one family together?
    

Prakash Jha

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