Olivia de Havilland

ACTRESS, SOUNDTRACK

Olivia de Havilland Movies or Tv Shows (upto Dec 2024) - Watch Online

29th May 2022 | FlixCatalog Staff

Olivia Mary de Havilland was born July 1, 1916, in Tokyo, Japan, to British parents Lilian Augusta (Ruse), a former actress, and Walter Augustus de Havilland, an English professor and patent attorney. Her sister, Joan, later to become famous as Joan Fontaine, was born the following year. Her surname comes from her paternal grandfather, whose family was from Guernsey in the Channel Islands. Her parents divorced when Olivia was just three years old, and she moved with her mother and sister to Saratoga, California. After graduating from high school, where she fell prey to the acting bug, Olivia enrolled in Mills College in Oakland. It was while she was at Mills that she participated in the school play "A Midsummer Night's Dream" and was spotted by Max Reinhardt. She so impressed Reinhardt that he picked her up for both his stage version and, later, the Warner Bros. film version in 1935.She again was so impressive that Warner executives signed her to a seven-year contract. No sooner had the ink dried on the contract than Olivia appeared in three more films: The Irish in Us (1935), Alibi Ike (1935) and Halálfejes lobogó (1935), the latter with the man with whom her career would be most closely identified, heartthrob Errol Flynn. He and Olivia starred together in eight films during their careers. In 1939 Warner Bros. loaned her to David O. Selznick for the classic Elfújta a szél (1939). Playing sweet Melanie Hamilton, Olivia received her first nomination for an Academy Award for Best Supporting Actress, only to lose out to one of her co-stars in the film, Hattie McDaniel.After GWTW, Olivia returned to Warner Bros. and continued to churn out films. In 1941 she played Emmy Brown in Parancsolj a csillagoknak (1941), which resulted in her second Oscar nomination, this time for Best Actress. Again she lost, this time to her sister Joan for her role in Gyanakvó szerelem (1941). After that strong showing, Olivia now demanded better, more substantial roles than the "sweet young thing" slot into which Warners had been fitting her. The studio responded by placing her on a six-month suspension, all of the studios at the time operating under the policy that players were nothing more than property to do with as they saw fit. As if that weren't bad enough, when her contract with Warners was up, she was told that she would have to make up the time lost because of the suspension.Irate, she sued the studio, and for the length of the court battle she didn't appear in a single film. The result, however, was worth it. In a landmark decision, the court said not only that Olivia did not have to make up the time, but that all performers were to be limited to a seven-year contract that would include any suspensions handed down. This became known as the "de Havilland decision"; no longer could studios treat their performers as chattel. Returning to screen in 1946, Olivia made up for lost time by appearing in four films, one of which finally won her the Oscar that had so long eluded her. It was Kisiklott élet (1946), in which she played Josephine Norris to the delight of critics and audiences alike. Olivia was the strongest performer in Hollywood for the balance of the 1940s.In 1948 she turned in another strong showing in Kígyóverem (1948) as Virginia Cunningham, a woman suffering a mental breakdown. The end result was another Oscar nomination for Best Actress, but she lost to Jane Wyman in Johnny Belinda (1948). As in the two previous years, she made only one film in 1949, but she again won a nomination and the Academy Award for Best Actress for Az örökösnő (1949). After a three-year hiatus, Olivia returned to star in My Cousin Rachel (1952). From that point on, she made few appearances on the screen but was seen on Broadway and in some television shows. Her last screen appearance was in Az ötödik muskétás (1979), and her last career appearance was in the TV movie A nő, akit szeretett (1988).Her turbulent relationship with her only sibling, Joan Fontaine, had been press fodder for many decades, with the two reported as not speaking and permanently estranged since the death of their mother in 1975 when Joan claimed she had not been invited to the memorial service, which event she claimed she only managed to hold off until she could arrive by threatening to go public. Joan had also written in her memoir that her elder sister had been physically, psychologically and emotionally abusive when they were young. And the iconic photo of Joan with her hand outstretched to congratulate Olivia backstage after the latter's first Oscar win and Olivia ignoring it because she was peeved by a comment Joan had made about Olivia's new husband, Marcus Goodrich, remained part of Hollywood lore for many years.Nonetheless, late in life, Fontaine gave an interview in which she serenely denied any and all claims of an estrangement from her sister. When a reporter asked Joan if she and Olivia were friends, she replied, "Of course!" The reporter responded that rumors to the contrary must have been sensationalism and she replied, "Oh, right - they have to. Two nice girls liking each other isn't copy." Asked if she and Olivia were in communication and spoke to each other, Joan replied "Absolutely." When asked if there ever had been a time when the two did not get along to the point where they wouldn't speak with one another, Joan replied, again, "Never. Never. There is not a word of truth about that." When asked why people believe it, she replied "Oh, I have no idea. It's just something to say ... Oh, it's terrible." When asked if she had seen Olivia over the years, she replied, "I've seen her in Paris. And she came to my apartment in New York often." The reporter stated that all this was a nice thing to hear. Joan then stated, "Let me just say, Olivia and I have never had a quarrel. We have never had any dissatisfaction. We have never had hard words. And all this is press."During the hoopla surrounding the 50th anniversary of GWTW in 1989, she graciously declined requests for all interviews as the only surviving one of the four main stars. Today she enjoys a quiet retirement in Paris, France, where she has resided for many decades. - IMDb Mini Biography By: Denny Jackson/Robert Sieger

Fan Zone

Streaming Availability

Amazon Video has the most number of Olivia de Havilland’s flixes, followed by DIRECTV compared to other streaming platforms. See the full graph below.

Releases by Year

Olivia de Havilland on average has worked on 1 movies per year from 1972 to 2017. See the full graphs of the number of Olivia de Havilland movies released per year from 1972 till 2017.

Top Genres

Olivia de Havilland works mostly in Drama Genre followed by Documentary Genre flixes. 28% of Olivia de Havilland movies are Drama Genre movies. See Top Genres that Olivia de Havilland worked on in the graph below.

Average IMDB Score

On average the IMDB score of the movies that Olivia de Havilland has worked on is 6.6.

6.6 / 10

Olivia de Havilland's Movies and Tv Series available to Stream now ..

Biography,Documentary
The Fabulous Allan Carr (2017)

Allan Carr built his bombastic reputation producing the hit movie GREASE and Broadway sensation LA CAGE AUX FOLLES, but it all came crashing down after he conceived the notorious 1989 Academy Awards.

7.5/1090 min

Available in 5 platform(s).

Story of Anna Anderson, who claimed to be Anastasia Romanov, the only "surviving" child of the last Czar and Czarina of Russia.

6.7/10200 min

Available in 2 platform(s).

Action,Drama,Thriller
Airport '77 (1977)

Art thieves hijack a 747, hit fog and crash into the ocean, trapping them and the passengers under one hundred feet of water.

5.7/10114 min

Available in 9 platform(s).