
            The story of this sensitively-handled film concerns a young MtF transsexual. It is by turns comic and heartbreaking. Seven-year old Ludovic lives in an upper-middle class Belgian suburban neighborhood. He behaves in a way that is quite natural to him, dresses in a dress or skirt whenever possible, and is quite convinced he will be marrying a neighborhood boy, the son of his father's boss. His favorite television program is a kitchy girls program about a Barbie-like doll called Pam who lives in a flowery girly pink cartoon fantasy world and has magic powers. Young Ludovic dances Pam's dance to the haunting song "Rose", and like some other girls of his age fantasizes about marriage to a handsome romantic man who will sweep his female love off her feet.The film depicts the difficulties facing a child with gender identity issues and the way the Ludovic himself, the confused parents and family, society, school, other children, and the neighborhood (hostile, hypocritical, and ignorant) handle the situation. Ludovic is seven years old. At first thinks he is a girl, then becomes confused as everyone attempts to disabuse him of this, then tries to find an acceptable common ground (I am a girlboy, or I am a boy but I will grow up to be a girl, or something went wrong and and I should have been born a girl). When he was born, the extra X chromosome accidentally landed in the trash and he got a Y instead! Even an identity as a girlboy is not allowed him by those around him. The only ones who have any understanding of what he is going through are his psychologist and his grandmother who thinks it might be a phase he is going through, but also confronts the situation with some understanding. His sister also sees Ludovich more as he is than as others believe or want him to be.Under increasing pressure from an ignorant community which gives the family the cold shoulder, the parents naturally have difficulty in dealing with Ludovic's transsexuality, and eventually send him to a psychologist with the intention of "curing" him, but of course there is no cure - only understanding. Eventually they come to accept the inevitable.The movie, perhaps a larger than life fictionalisation, is a microcosm of the early life experience of a transsexual. The movie deals with homophobia, bigotry, misunderstanding, the retreat of the transsexual into a fantasy life to escape from unthinkable real life, the attempt of the transsexual to hide the condition because of his/her punishment for showing it, and the reaction of the transsexual's parents, family, and society. Common to the experience, particlarly when the movie was made, is confusion of homosexuality and transsexualism, denial of its existence, the attempt to cure it, the successful discrimination and hostility against the transsexual and his/her family, the realization of the existence of both male-to-female and female-to-male transsexuality, and finally resigned acceptance.The father is fired from his job, and the family moves to a poorer neighborhood, where they find some acceptance and Ludovic meets a young butch girl, perhaps a young FtM transsexual of about the same age. The final relief from troubles is belied by the music which turns somber as the camera pans away from the petit Ludovic, on his own away from the other children. As his pubescent sister says, prophetically, "it only gets more difficult as you get older". The final scene dissolves into the haunting theme music, "Rose", sung by Zazie and an uncertain transsexual's future.
    

Ma vie en rose

Ténor

Oscar and the Lady in Pink


            François Pignon (Daniel Auteuil) is a non-entity accountant, divorced two years but still in love with his wife and wanting a better relationship with their 17 y/o son. Then, he is the last in his company to hear that he is to be fired. A neighbour suggests that Pignon creates the impression that he is gay, so that the company executives will find it difficult to fire him or else be thought homophobic. The plan works. Meanwhile, Félix Santini (Gérard Depardieu) is convinced, by joking fellow-executives, that Santini must treat Pignon particularly well or run the risk of charges of homophobia. Santini's bumbling attempts at positive contact with Pignon make the middle of the movie somewhat silly, but Depardieu's straight-faced believability saves this part of the movie. In the end, Pignon "gets the girl" and all is well.
    

The Closet

Des jours meilleurs

Honeymoon Crasher


            
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Michèle Laroque

Michèle Laroque Movies or Tv Shows (upto Nov 2026) - Watch Online

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