
            Chapter One: "Once Upon a Time..... in Nazi-Occupied France"The film opens in 1941 with Colonel Hans Landa (Christoph Waltz), a detective of the Waffen-SS, proudly known as the "Jew Hunter," visiting French dairy farmer Perrier LaPadite (Denis Ménochet). After making casual conversation in French and taking a glass of LaPadite's delicious milk, Landa claims to have exhausted his French and asks to switch to English.In English, Landa then notes that his papers state that all of the Jewish families around LaPadite's region have been accounted for, except the Dreyfuses, who have vanished completely in the past year. Landa believes that someone is hiding them very well. After rambling on a bit about the logic he uses to hunt Jews, he admits that he is required to conduct a thorough search of LaPadite's house.By dropping a subtle hint about whether or not to leave LaPadite's family alone in the future, Landa manages to coerce LaPadite and get him to confess that he is hiding the Dreyfuses under the floorboards. LaPadite points out the approximate location of the hidden Dreyfuses. Landa understands that the Dreyfuses don't speak English, and tells LaPadite that he will be switching back to French. In French, he thanks LaPadite for the milk and hospitality, then opens the door, seemingly calling out to LaPadite's family, but in actuality to booted Wehrmacht soldiers, who come inside and take up positions. On Landa's orders, the soldiers fire their guns into the floorboards, killing the Dreyfuses. However, Landa hears a noise, and sees the teenage Shosanna (Mélanie Laurent) running away into the hills. Landa considers shooting her with his pistol but decides against it, yelling after her, "Au revoir, Shosanna!"Chapter Two: "Inglourious Basterds"The second chapter takes place three years later in 1944, just prior to the Allied invasion of France. We see redneck Lt. Aldo Raine (Brad Pitt) addressing in formation his newly formed eight-man Jewish-American commando unit. He proceeds to explain to them, in drill sergeant style, that they will be dropped behind enemy lines to cause havoc to all Nazi soldiers they come across with the goal of bringing fear into the heart of the enemy. He further explains to them that the normal standards of military conduct will not apply because the Nazis themselves have no humanity and are not deserving of any humanity in return. He mentions that he has Apache blood running through his veins and that each and every one of the men in his command owes him a debt of 100 Nazi scalps.We next cut to a scene showing us the terrible-tempered Adolf Hitler (Martin Wuttke), angrily ridiculing two of his military command for not being able to deal with the Basterds, as their activities are demoralizing to his fighting men. Hitler then interviews Private Butz (Sönke Möhring), whose entire patrol was recently ambushed and killed by the Basterds, and he was the only survivor. When Hitler asks Butz if they marked him like they did the other survivors, Butz shows him the swastika carved into his forehead.Butz's story is told in flashback: all of the soldiers have already been killed except for three: Butz, Sgt. Werner Rachtman (Richard Sammel), and a third soldier. Raine has Rachtman come forward, and threatens to have him killed if he does not disclose the whereabouts and information on a nearby Nazi patrol. Rachtman is adamant that he will not provide information that could possibly harm other German soldiers and Raine calls for Sgt. Donny Donowitz (Eli Roth), known to German soldiers as the "Bear Jew" to beat Rachtman to death with a baseball bat, which he proceeds to do, which very much delights all of the Basterds. The second survivor is also shot dead in a moment of excitement.Raine then interrogates the non-English speaking Private Butz. Cpl. Willem Wicki (Gedeon Burkhard) acts as their interpreter. Utterly demoralized by the beating to death of his sergeant, Private Butz quickly provides the Basterds with all they need to know after which Lt. Raine lets Private Butz go - but not before carving a swastika into Butz's forehead with his own customized Bowie knife - as a branding (swastika carving is Lt. Raine's trademark). The scene ends with Donowitz commenting to Raine that he is becoming quite good at carving swastikas. Lt. Raine responds: "You know how you get to Carnegie Hall don't ya? Practice."Chapter Three: "German Night in Paris"June 1, 1944: Shosanna has assumed the identity of "Emmanuelle Mimieux." How she manages to do so is not revealed. She has also become the proprietress of a cinema in downtown Paris, which is chosen by Fredrick Zoller (Daniel Brühl), a spotlight-hungry sniper-turned-actor whose exploits are being celebrated in the Nazi propaganda film Stolz der Nation (Nation's Pride), as the setting for the film premiere. He is infatuated with Shosanna and convinces Joseph Goebbels (Sylvester Groth) to hold the premiere in her cinema. Shosanna, however, does not reciprocate Zoller's feelings.Shosanna realizes that the presence of so many high ranking Nazi officials and officers provides an excellent opportunity for revenge. She resolves to burn down the cinema using the massive quantities of flammable nitrate film she holds in storage during the premiere (because nitrate film burns three times faster than paper, and is cheaper than buying lots of explosives; the English narrator (Samuel L. Jackson) tells us that the flammability of nitrate film was such so that you couldn't even take a reel on a bus), and she and her lover/assistant Marcel re-edit the fourth reel of "Stolz der Nation."Chapter Four: "Operation Kino"In the meantime, the British have also learned of the Nazi leadership's plan to attend the premiere and dispatch a British officer, Lt. Archie Hicox (Michael Fassbender), to Paris to lead Operation Kino, an attack on the cinema with the aid of the Basterds and a German double agent, an actress by the name of Bridget von Hammersmark (Diane Kruger). Hicox meets with General Ed Fenech (Mike Myers) and Winston Churchill (Rod Taylor) and is chosen for the mission based on his expertise of German filmmakers.Bridget Von Hammersmark arranges to meet Hicox and two of the Basterds, Wicki and the psychotic Hugo Stiglitz (Til Schweiger) (who defected from the Germans after killing thirteen Gestapo in violent ways {some of which can be viewed in Chapter 2}) in the basement of a French tavern to arrange their plans. The only problem is that the night of the rendezvous is also the occasion of a German staff sergeant named Wilhelm (Alexander Fehling) celebrating the birth of his son with his soldier comrades. One of the German soldiers present strikes up a conversation with Hicox and notices that his accent is "odd." An SS Major, Dieter Hellstrom (August Diehl) (whom we met earlier during Chapter 3), who is in the tavern as well also notices the odd accent (although Hicox is fluent in German, he is using his British accent). Hellstrom joins Hicox and von Hammersmark and plays one round of a guessing game with them (with Hellstrom's card, King Kong). He offers to buy the table a round of drinks. Unfortunately, Hicox betrays himself when he gives the wrong three-fingered order for whiskey (holding up his ring, middle, and pointer fingers instead of his thumb, pointer finger, and middle finger), and the SS officer recognizes their deception.Hicox, Wicki, Stiglitz, and all of the Germans, as well as the French tavern owner, subsequently kill each other in the resulting 15 second shootout: Stiglitz starts things off by telling Hellstrom to say "auf Wiedersehen" to his Nazi balls, then shoots him in his groin. Hellstrom then shoots Hicox in turn and hits Bridget in her right leg, who falls backward in her chair, while Hicox falls backward and returns fire at Hellstrom. Stiglitz then stands up and repeatedly stabs Hellstrom in the back of the head, pinning his head to the table. Wicki stands up and shoots Winnetou in the back at least twice. Beethoven shoots Stiglitz in the back. Mata Hari shoots Wicki in the stomach. Stiglitz turns and shoots Beethoven four times in the torso and then also shoots Edgar Wallace in the heart, killing them both. Wicki shoots Mata Hari in the heart. Then, Eric shoots Stiglitz with a double-barreled shotgun, killing him. Wicki shoots Eric in the head. Wilhelm blindly guns down Wicki and Mathilda with his MP40 submachine gun. Just then, Raine and several of the Basterds arrive (having waited outside the tavern and now alerted by the shooting), and a standoff ensures between them and Wilhelm. After Wilhelm agrees to surrender to the Basterds, Bridget retrieves Hicox's pistol and fires four shots at Wilhelm, killing him, because Wilhelm had learned that Bridget was working for the enemy. The wounded Bridget allows herself to be captured by Raine and the Basterds.A little later, Raine angrily interrogates Bridget at a local animal clinic where he takes her for medical treatment for her bullet wound. He pokes a finger into the wound to make her explain the debacle in the tavern, and then tell him about Operation Kino. Raine decides to continue the operation against the cinema. Raine picks two of his best men, Donowitz and Omar Ulmer (Omar Doom), to make use of suicide bombs and the three of them will pose as Italian filmmakers escorting Bridget to the event. To explain the cast on her leg, Bridget will claim to have broken it in a mountain-climbing accident.Colonel Landa, who is now an SD officer, investigates the carnage at the French pub and finds one of Bridget von Hammersmark's shoes left behind and also an autographed napkin which Bridget had signed for Wilhelm's son, realizing that she was there and may have been wounded. He also identifies the bodies of the two German-born Basterds, noting their reputation to disguise themselves as German soldiers to ambush squads.Chapter Five: "Revenge of the Giant Face"The following evening, Landa approaches Bridget and Raine in the cinema lobby and is able to easily see through their disguises, as Raine, Donowitz, and Ulmer cannot speak fluent Italian or German (Raine is most obvious since he is speaking it with a thick Southern accent). He questions Bridget alone and makes her try on the shoe he had retrieved from the tavern. It is a perfect fit. He strangles and kills her as a traitor, and orders the arrest of Raine. As Raine is driven off in a truck, he discovers one of his men, Private Utivich (B.J. Novak), has also been captured and is in the truck with him.Landa reveals himself to be a turncoat. While speaking with Raine and Utivich in the privacy of a closed restaurant, he tells them that four major Nazi leaders must all be killed to end the terrible war immediately. They are all attending Nation's Pride, and he is prepared to let the assassination continue... for a price. He has no intention of helping end the war only to be tried by a Jewish tribunal for war crimes and end up facing execution. In order to help end the war, he wants to make a deal; one Raine cannot authorize, but his commanding officer (voice of Harvey Keitel) can. Landa has his radio operator help Raine reach his general, where Landa states the terms of his deal: he wants full military pension and benefits under his current rank, the Congressional Medal of Honor for everyone involved in the operation, American citizenship and a home on Nantucket Island. He also reveals that he had planted Raine's explosives in Hitler's box at the cinema (which is shown in flashback), indicating that there are now three attempts against Hitler's life (Donowitz and Omar in the main theater, the explosives in Hitler's box, and Shoshanna's plot). Raine is placed on the radio and his general tells him that Landa and his radio operator will drive him and Utivich in a truck to American lines, then surrender to them, whereupon Raine will drive the truck the rest of the way to base and bring Landa and the operator to him for debriefing.Meanwhile, during the showing of Nation's Pride, Shosanna and her assistant (and lover) Marcel (Jacky Ido) are manning the projection booth when he tells her it is time. It is revealed in a flashback to a few days ago which shows Marcel filming a close-up of Shosanna's face making a speech in English. They then force a local camera shop owner to develop the film by threatening to kill him and his family if he doesn't, and Shosanna edits the complete film on the fourth and final film reel of the movie and leaves them in the projection booth for them to run when the time is right.Flashing back to the present, Marcel tells Shosanna that he needs to lock the auditorium and go behind the screen. As Marcel makes his way toward the auditorium, the two Basterds that have been left behind, Donowitz and Omar Ulmer, leave their seats and exit the auditorium heading upstairs to the balcony level... determined to kill Hitler by themselves (neither of them are aware of Raine's capture or of Shosanna's plan to burn down the cinema with all of them inside). Donowitz carefully spies on the two guards watching the entrance to Hitler's opera box from the nearest restroom.Shosanna loads the doctored fourth reel of Nation's Pride onto the projector camera as Marcel locks the auditorium doors, sliding the safety locks at the tops and bottoms of the doors into place, and then slides a heavy iron crowbar through the door handles, further barring them. He steps behind the screen where Shosanna had placed her entire stack of flammable nitrate film. Shosanna pulls a lever to switch the projector to the doctored reel on a cue symbol in the film. Watching from behind the screen, Marcel lights up a cigarette and waits.Meanwhile, Zoller, who is uncomfortable with the way he is portrayed killing Americans in the film, leaves the cinema auditorium and makes his way to the projectionist's room to flirt with Shosanna. She is deeply concerned at his intrusion and tells him to leave. However, the spurned Zoller pushes his way into the room and angrily confronts Shosanna about her treatment of him, warning her that she's no longer in a position to disrespect him. Needing to get Zoller out of the way, she asks him to lock the door, dropping a subtle hint: "we don't have much time." Soon as Zoller's back is turned to her, she pulls out a small gun from her purse and shoots him in the back, mortally wounding him. Quickly she glances into the auditorium to make sure she wasn't heard. Suddenly, she hears Zoller groan and realizes he's still alive. In an apparent moment of pity, she turns him over, and he shoots her to death before he succumbs to his wounds.At the same time, Donowitz and Ulmer are preparing their ambush to take out the opera box guards. Donowitz disguises himself as a waiter delivering a glass of champagne. The ambush goes off without a hitch and they kill both guards and then steal their machine guns.Meanwhile, we see Hitler greatly enjoying the battle scene in the movie, where Zoller is taking out numerous American soldiers by himself. But his joy comes to a quick end when Zoller's challenge in the movie ("Who wants to send a message to Germany?") is answered with the changes Shosanna made to the fourth reel. The large image of Shosanna's face appears on the screen and she tells the audience (speaking in heavily accented English for the first and only time in the movie) that they're all going to die, and she is a Jew ready to take revenge. On her cue, Marcel flicks his cigarette into the pile of nitrate film behind the screen, igniting it. The fire bursts through the screen, causing pandemonium in the auditorium. Just then, Donowitz and Ulmer burst into Hitler's box and gun down Hitler, Goebbels, Goebbels's secretary and French translator Francesca Mondino (Julie Dreyfus) and the other Nazi leaders. As the cinema is engulfed in flames, Donowitz and Ulmer fire randomly into the crowd below them, who are attempting to flee, but escape is impossible, as the auditorium doors are now locked and barred. Finally, the dynamite that Landa had planted in Hitler's box, as well as the dynamite strapped to the Basterds' legs, now goes off. The cinema is destroyed in the subsequent inferno, killing everybody inside.The next day, Landa and his radio operator set off with Raine and Utivich towards the American lines in Normandy, as part of the deal he had made with Raine's commanding officer. At the American lines, he surrenders to Raine and hands over his gun and sword. Raine orders Utivich to handcuff Landa, and suddenly shoots the driver dead, ordering Utivich to scalp him over Landa's outraged protest. Raine reveals that while he appreciates Landa's underhanded deal and all the perks he's secured for himself, he is incensed that on arriving in America, Landa intended to take off his SS uniform and blend in to the American populace, with nobody remembering all the heinous deeds he committed as a Nazi officer. Raine plans to remedy that. The film ends with Raine carving a swastika into Landa's forehead and declaring to Utivich that it may just be his "masterpiece."
    

Inglourious Basterds


            
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Tomorrow

The Concert

Little America

Don't Worry, I'm Fine


            In 2003, 38-year-old Oliver Fields (Ewan McGregor), a somewhat solitary graphic artist living in Los Angeles, is quietly grieving after the death of his father, Hal (Christopher Plummer). Two months after Hal's death, Oliver is in a state of functional depression. He had adopted his father's beloved Jack Russell terrier, Arthur, and brings him along nearly everywhere as he cannot bear to hear the dog cry when left alone in the house. Oliver's friends talk him into attending a costume party. With Arthur in tow, Oliver attempts to brave the social gathering. Dressed as Sigmund Freud, Oliver sits by a couch and gives impromptu psychoanalysis to party-goers who ask for it.One of his "patients" is a young woman (Melanie Laurent) who communicates using only a notepad and pen. Despite the speech barrier, they form a bond and Oliver is able to enjoy the rest of the party. As he prepares to take Arthur home, Oliver shyly gives the woman his number. Moments later, as he walks to his car, she calls him and speaks using a code of telephone beeps. They go to her hotel room, where Oliver falls asleep in his costume.The next morning, still using her notepad, the woman explains that she is an actress and must travel to New York for filming. She asks to see Oliver again when she returns, and he happily agrees.During his childhood, Oliver was close with his mother, Georgia (Mary Page Keller). His father was often emotionally absent, which caused tension in the marriage. Years later, Oliver found out that his parents had known about Hal's sexuality from the beginning. Georgia came from a Jewish family and was discriminated against while growing up during World War II, and Oliver realized the emotional pain that surrounded his parents, living in an era when such significant elements of their characters were taboo. It is only after Georgia dies during Oliver's mid-thirties when Hal finally confesses his homosexuality to his son. Having hidden that side of himself for decades, Hal is free to embrace it at age 78 by becoming very active in the local gay community and entering into a relationship with a younger man. Soon afterward, Hal is diagnosed with terminal lung cancer. Oliver stayed by his father's side as his health declinedThe young woman, Anna, returns to L.A. and reunites with Oliver. Oliver is initially hesitant about letting her into his life after a string of failed relationships, but reconsiders when Anna (now speaking) proves to be a smart and understanding person. As their relationship progresses, they reveal painful details of their pasts. Eventually, a smitten Oliver invites Anna to move in with him.A home life together proves to be more stressful than either Oliver or Anna expected. Anna is overcome with emotion at such a large change, which is exacerbated by her worn-down nerves from talking to her depressed and suicidal father, who constantly hounds her with phone calls. Anna tearfully agrees that living with Oliver is not working out, and she returns to New York. Oliver is devastated at the breakup.Some time later, Oliver resolves to contact Anna again. He flies to New York and knocks on the door of her apartment. Receiving no answer, he calls her cell phone and she explains with some amusement that she had not left L.A. since their breakup. She tells Oliver where her spare key is located, and he lets himself into her empty apartment. She gives him a tour over the phone, similar to the tours Oliver gave to Anna and Arthur when they first entered his house.Arriving back in L.A., Oliver invites Anna over. She greets him and Arthur with reserved happiness. Sitting on the bed, Anna and Oliver glance hopefully at each other, timidly contemplating starting their relationship over again.
    

Beginners


            The film begins with Charlie (Joséphine Japy) waking up to the sound of her parents arguing. It appears Charlie's mother, Vanessa (Isabelle Carré) is accusing Charlie's father (Radivoje Bukvic) of cheating with a woman from work. Charlie and her father have a nonchalant attitude towards the argument, suggesting that her mother makes these accusations on a regular basis. As Charlie's father manages to calm her mother down, he engages in awkward and forced conversation about breakfast and school with Charlie, in an attempt to pretend everything is as usual. Charlie declines an offer from her father on getting a lift to school and we then see him driving away while Charlie watches before leaving on foot.Charlie arrives at school and seems to have a more normal relationship with her friends, as she happily greets them before her lessons. She also makes thoughtful contributions in a debate about passion and freedom, which her teacher commends her for. In the next scene, we see Charlie enjoying herself with her friends as she has lunch with them and is amused during a match of table football. Charlie walks home with her best friend, Victoire (Roxane Duran) as they have simple discussions about boys and school. When Charlie gets home, her mother is sat in the dark, smoking and looking solemn. "Did he leave?" asks Charlie. "Yeah. I think so," her mother replies looking calm. However, later Charlie lays in bed unable to sleep from the sound of her mother crying.The next day, Charlie is sat in an amusing math class, laughing with the rest of the class as a boy at the front tries to solve an equation. As it goes on, there's a knock at the door and a member of staff enters with a new girl, Sarah Perrin (Lou de Laâge). Sarah seems excited and friendly and even helps the boy at the front with the equation before being seated next to Charlie. They exchange a friendly glance. Later, during gymnastics, Charlie curiously watches Sarah as she moves. While outside with her friends, Charlie is approached by Sarah who asks her if she could help her with the history homework. They agree to do it at Charlie's house. Sarah offers Charlie's friends some cigarettes and she explains they are from Nigeria as she lived there for 4 years while her mum worked for an NGO. After some rebels crossed the border and created a mess, she moved back to France to graduate. She adds that her mother still lives in Nigeria and she lives with her aunt.Sarah walks home with Charlie and Victoire. She tells an interesting story about an experience back in London which the girls enjoy, presumably because their own conversations aren't usually exciting. When Victoire leaves, Charlie explains to Sarah that she has known her since 6th grade. The scene cuts to Charlie's house where Charlie, her mother and Sarah are having enjoying Sarah's company as she talks about her annoying aunt. The phone interrupts their amusement and the mood instantly changes: Charlie knows it is her father calling. When her mother leaves to take the call, Charlie mentions her mother had her when she was 18. When Sarah asks about Charlie's father, Charlie says "she should just tell him to fuck off." Sarah immediately gets up and grabs the phone downstairs the listen to their conversation and says "Leave her alone. Fuck off." Her mother runs down in a frenzy, stunned that the girls would do something like that as she is worried he may actually leave for good. Charlie and Sarah begin laughing hysterically.Over the next few scenes, we see Charlie and Sarah spend more time together and begin to bond. They appear to unintentionally isolate themselves from the rest of the friendship group and grow closer. Sarah even does Charlie's make up one night and calls her beautiful before they head to a party and have a good time. Sarah looks after Charlie by holding up her hair when she is drunk and vomiting in the toilet.One day, Charlie's dad comes over the house to visit. He goes outside and sees Charlie sunbathing. He offers her a cigarette and she makes a comment about how irresponsible he is. He doesn't seem to care and remarks that he knows she smokes anyway. She accepts the cigarette. He begins to tickle her and she laughs; it is clear she does love her father despite his destructive behaviour. Charlie's mother watches from the window, smiling slightly at the sight of them bonding.Later that day, after Charlie's father has left, Charlie is sitting on the stairs listening to a conversation between her mother and Laura (Claire Keim), looking expressionless. Her mother explains that Charlie's father is growing more violent. Laura begins crying, exclaiming that if he touches her in anyway she will kill him. Charlie's mother says "I'm afraid." Charlie enters the room as if she were not listening. Laura immediately changes the subject and begins talking about getting a dog. Charlie and her mother laugh weakly as if everything is normal. Laura invites Charlie to go with her to Vince and Marie's camp for All Saints Day. Charlie thinks it would be awesome but her mother protests that it would be awkward as she hasn't seen them in years. Laura persuades them to go anyway. Just then, the phone rings and it is Sarah. She explains to Charlie that her mother was supposed to come to France for All Saints Day but cancelled last minute. She comments that her mother couldn't care less and now she has to spend it with her annoying aunt. Charlie comforts her over the phone.The next scene shows Charlie, Charlie's mother, Laura and Sarah in an old car. It is suggested Charlie ended up inviting Sarah to the camp for All Saints Day. They are all hysterically laughing and genuinely seem happy. When they arrive, Sarah catches the eye of a handsome man with a wheelbarrow called Esteban (Alejandro Albarracín) who appears to do handy work for the camp. Later, while they are hanging out in the woods, Sarah comments about having sex with a British boy. She asks Charlie about her sexual experiences. Charlie says that she is a virgin but was close to losing her virginity with a boy called Lucas from school before she began crying from the pain and couldn't continue. She adds that she hasn't told anyone, not even her best friend Victoire. The chat ends light-heartedly with the girls laughing and running from the sound of an animal in the bushes.Later, while they are rolling up what looks like a cigarette, a local called Paul (Victor Assié) walks up to Charlie and Sarah and greets Charlie, asking if she remembers him. Charlie gets up to greet Paul back but accidentally drops her towel and flashes her naked body to him, causing Sarah to burst out laughing while Charlie appears mortified. Paul just calmly looks on. Charlie mentions that it has been ages since she last saw him. Charlie briefly introduces Sarah as her classmate before Paul confirms whether or not Charlie is going for drinks later. She agrees and he leaves. Sarah appears hurt and when Charlie asks why, she says that she would have introduced her as a friend, not a classmate. Charlie stays silent and Sarah tries to brush it off, appearing more quick-tempered and bitter towards Charlie as they continue making the cigarettes.The scene cuts to Charlie attempting to zip the back of her dress, visibly struggling. Sarah gets up and does it for her and hugs her. It appears she has gotten over the earlier incident. We see Sarah, Charlie, Charlie's mother enjoying drinks with a group of people at a table. Sarah seems to be flirting with Esteban, the man from earlier with the wheelbarrow. That evening, in the caravan, Sarah and Charlie improvise a fictional scene between Sarah and Esteban. Sarah pretends Charlie is Esteban and kisses Charlie. She then slaps Charlie as part of the act and laughs. Charlie looks stunned.The next morning we see Charlie's mother leave Esteban's caravan, giggling. It is clear they spent the night together. Charlie hears her mother giggling and leaving the caravan. At the breakfast table, there are jokes made about Charlie's mother and Esteban spending the night together, Sarah looks hurt. Charlie joins the table and looks nervously at Sarah to see if she knows. Sarah tries to look unaffected and leaves the table. The scene changes to Sarah flirting with Paul. Charlie approaches them and they seem blunt. Paul explains he's offered to take Sarah out in his plane. The two leave holding hands as Charlie looks on. It is clear that Sarah has turned to Paul as a way of forgetting about Esteban. Charlie spends time alone at the foot of the sea and sees the plane in the sky.Later that evening, Charlie is unacquainted at a small gathering and begins playing an instrument with a stranger. Sarah approaches and kisses Charlie's hand. Charlie looks unaffected and continues playing the instrument when Sarah leaves. Sarah dances passionately to the music. The next morning, Charlie wakes up and sits at the door of her caravan, taking in the scenery. She suffers an asthma attack and uses her inhaler to restore her breathing. Charlie goes to Laura's caravan. She asks if she's seen Sarah. Laura tells her that she went to the market with Charlie's mother. Charlie looks defeated. Laura picks up on this and says "Don't let it bug you. Sarah's not so amazing," before quickly changing the subject. Charlie's mother returns to find Charlie alone outside. She says "you're not jealous are you?" Charlie shakes her head. However her mum continues to talk about Esteban's good qualities. Her mother seems to really like Esteban. Later that evening, Sarah goes for another round of drinks with the locals. Charlie stays in the caravan in her bed looking solemn. Sarah enters the caravan and asks when she will stop sulking. Sarah jokes about Charlie's mother and Esteban and makes Charlie laugh. Charlie comments that it won't last. Sarah asks if she wants to sleep. Charlie says yes. Sarah leaves her and shuts the door with force. Charlie looks stunned. On car journey back home, Sarah leans on Charlie to nap. Charlie looks confused by the dynamics of their friendship.Back in Charlie's bedroom, Victoire is commenting on the fact that something is different. She notices that Charlie took her old posters down. It is clear that Victoire is seeing that Charlie has changed. The next scene shows Sarah greeting Charlie in a friendly way while Charlie still looks unsure of what to make of Sarah. Sarah appears closer to Charlie's friends now, too. Back at Charlie's house, Sarah and Charlie have a dull conversation. They are cold around each other. Sarah leaves and begins talking to Charlie's mother who still appears to like Sarah a lot. Later, Sarah and Charlie are brushing their teeth together. They begin laughing hysterically for no reason. It feels like old times.The next day at school, Charlie and Sarah are having lunch with the rest of their friends. Sarah makes a comment about her mother and her going for a safari the previous year. Charlie remarks that she thought Sarah's mother couldn't spend time with her last year. Sarah is bitter towards Charlie and accuses her of assuming she knows Sarah's life story. Charlie says it is what Sarah told her. Sarah ridicules Charlie in an attempt to defend herself. Sarah then giggles with Charlie's friends at the back of a science class.That night, Sarah calls Charlie's house. Sarah confronts Charlie about embarrassing her in front of everyone at lunch and making her look like a liar. Sarah manipulates Charlie into making her feel sorry for her, explaining that she made a mistake about when her mother left her. Charlie apologises and feels bad for what she did.The next scene cuts to Sarah on a train, on her way home. We learn that Charlie is following Sarah. Sarah lives in a dingy neighbourhood in a small apartment. She gets inside and is greeted by a drunk woman (Carole Franck). The woman is uneasy and unstable and asks Sarah where she's been. Sarah is bitter and appears to resent the woman. When the woman begins banging on a door, Sarah says "Mom stop." Sarah's mother falls on the floor laughing hysterically. All the while, Charlie is listening outside Sarah's window, looking shocked.Charlie and Sarah are at a nightclub. They are separate but they seem to be enjoying themselves. Charlie approaches Sarah and asks what's going on with their friendship. Sarah brushes her off coldly. Charlie asks if the reason Sarah is bitter is because of her mother. Charlie explains that she saw her and she doesn't hold anything against Sarah for lying. Sarah asks if Charlie followed her. Charlie doesn't answer the question. Instead she says she promises not to tell anyone. Sarah looks stunned and angry. She threatens to kill Charlie if she tells anyone. Charlie looks sick as Sarah barges her and leaves. Charlie walks home very drunk.The scene switches to Charlie in her school toilets. She hears the sounds of Sarah and a friend walk into the toilets and sighs. They are talking about Lucas and the fact he's obsessed with Charlie. Sarah tells the friend that Charlie never had sex with Lucas because she cried (something that Charlie told her earlier in confidence). Charlie leaves the cubicle and confronts Sarah. Sarah appears unaffected. Charlie threatens to babble about Sarah's mother. Sarah dares her. Charlie begins and Sarah turns on the hand dryer to stop Charlie from being heard. Sarah leaves with the friends. Charlie cries when they are gone.We see Charlie go into a state of depression as she ignores her mother and begins to do badly at school. She constantly has to scrape off comments off her table that Sarah and her friends have written such as "Charlie the whore" and "Charlie gives sodomy free". She is continuously bullied by Sarah and her friends, however turns to studying as a coping mechanism. However, her anxiety causes her to suffer from asthma attacks. One day at lunch, Victoire tells Charlie that she is devastated by the way Sarah is treating Charlie. She wonders why Charlie stands it. Charlie begins to completely isolate herself from everyone and makes her old friends wonder why she is so distant. One night, Charlie does her hair and attempts to do her makeup the way Sarah did it for her the night she called her beautiful. She fails and angrily takes everything apart.On a different day, Charlie is running track with other classmates as part of physical education. Sarah barges past her with ease and begins running ahead. In a moment of fury, Charlie runs faster and speeds past Sarah and takes the lead. She continues to push herself to run even faster and begins struggling to breathe. However, she pushes on and her breathing becomes very heavy. She eventually faints and hits the ground struggling desperately for air while a crowd gathers around her. Her vision is blurred but she clearly sees Sarah smirking at her through the crowd.We see Charlie looking out of a window, daydreaming. Her father and mother are heard speaking in the background, getting along. Her father asks if Charlie is okay and her mother comments that she is just moody. Her dad gives her a glass of champagne. He asks her about celebrations for her 18th birthday. She seems uninterested. Later that night she hears her parents having loud sex in the other room. The next morning while Charlie is brushing her hair, her mother comes in and tells her that she has ended it with Charlie's father for good. Charlie's mother appears unhappy but accepting to this decision. When she leaves, Charlie violently continues to brush her hair.The scene cuts to Charlie opening the front door to find Sarah, looking sad and bruised. Charlie offers her ice and Sarah begins talking while they are in Charlie's room. She explains that her mother hit her for the first time which made her leave. She opens up about telling lies and stories to other people as a way of escaping her real life. She says that Charlie is the only person she could go to. She asks Charlie if she hates her. Charlie says no. The two share Charlie's bed that night and while Sarah is asleep, Charlie watches her and appears happy that she is back. The next morning, Charlie and Sarah are happily leaving the house and Charlie's mother watches through the window and sees Charlie smiling and laughing like she used to. Before entering the school, Sarah tells Charlie they cannot be friends in school because it will confuse people. She says that this is payback for Charlie following her home. Charlie looks stunned as Sarah approaches Charlie's old friends in a similar way to how Charlie approached them at the beginning of the film. Later in class, Charlie witnesses Sarah give a friend a "souvenir" from Nigeria. She angrily attacks Sarah and begins fighting her before the whole class breaks them up and Charlie leaves the class, very upset.We see Charlie in an exam before taking a test. When she begins the test, she appears confident and immediately begins writing while some people complain about not even understanding the question. Sarah chases her in a corridor to remind her about leaving clothes at her place. Charlie completely ignores her. When she is outside, Lucas (Louka Meliava) approaches and asks her to come out with them. She declines and instead kisses him passionately. He says that he'll call her and is cheered on by his friends when he returns to the group. Back at home, Charlie's mother enters Charlie's room to find Charlie and Sarah. She tells Charlie she is going out with Laura, completely ignoring Sarah. She leaves. Once she leaves, Sarah comments that Charlie's mother hates her because of Charlie. She digs Charlie about how she turns everyone against her. She manipulates and emotionally torments Charlie about how she feels much better without Charlie and how much of a bad person Charlie is. Eventually, Charlie cannot take anymore and she pushes Sarah against her dresser, Sarah is slightly injured but begins laughing. This causes Charlie to grab a pillow and cover it over Sarah's face. Sarah screams that she can't breathe. Charlie continues while Sarah struggles. Sarah goes silent while Charlie continues to suffocate her.The scene switches to Charlie looking blankly into space while sitting in the gloom of the living room. Her mother returns home and Charlie begins crying. Her crying becomes progressively hysterical and she struggles to breathe between heavy sobs. Her mother questions her on what is wrong and asks where Sarah is. Charlie continues to cry and begins apologising. Charlie's mother goes frantically to the other room and we hear a loud, panicked scream. Charlie continues to struggle for air but begins to calm herself down. The film ends with Charlie regulating her breathing as she looks up to the camera and a tear falls down her face.
    

Breathe

The Roundup


            We hear in voice-over the main character's mother leaving a voice-mail message. She says that she's worried about him and doesn't like the look of his apartment.Next we see a man (Jake Gyllenhaal), opening a small package and removes a key. He opens a locked door and escorts another gentleman inside. The room is filled with men silently watching a girl on a stage, masturbating. The men are transfixed. Soon two women come on stage wearing nothing but high-heeled shoes. One sets down a covered silver tray. The lid is lifted to reveal a tarantula. One of the women raises her foot over the creature, as if to step on it.In the next scene, the man named Adam Bell (the Jake Gyllenhaal character) is teaching a college history class, his main subject matter revolves around topics of dictatorship control and how history has a tendency to repeat itself. Later that night his girlfriend Mary (Mélanie Laurent) comes over to his apartment and they engage in casual sex. A few scenes occur in which to suggest his life is a series of repetitive patterns. The next day after teaching class, while in the teachers' lounge a colleague has a suggestion for a movie he might find interesting. Adam rents the movie on the way home. His girlfriend, Mary, is tired and goes to bed. Adam stays up late and watches the movie, which is titled 'Where There's a Will There's a Way'. Adam goes to bed, and has rough sex with Mary again. She gets mad, and storms out of the apartment. He wakes up realizing that he saw his doppelganger (also Jack Gyllenhaal in a dual role) in the film.Adam researches the movie and after searching on-line he finds that the actor works through an agency in his city. When he goes to the agency, the security guard greets him as "Anthony Claire" and gives him an envelope addressed to the actor's home.Adam goes to the apartment where the actor lives, but he doesn't go inside. He calls from a pay phone and the person who answers the phone is Anthony's wife - Helen (Sarah Gadon). She assumes it's her husband but she doesn't understand why he's acting so strangely. A few hours later Adam calls again and Anthony answers the phone. Anthony tells Helen it was just a strange fan. Helen doesn't believe him and accuses him of cheating on her.Helen (who is six or seven months pregnant) looks up Adam Bell and sees he's a teacher. She goes to the college hoping to find Adam and is shocked when she meets him and he doesn't show any recognition of who she is.The next day, Adam phones Anthony again who agrees to meet with him at a local hotel. It is here where Adam and Anthony meet face to face for the first time. Standing in the same room, they are identical - right down to the same birthmark scar on their chests. Adam is reserved, nervous and bookish while Anthony is hot-headed and sexually confident. Before Adam leaves, he gives Anthony the letter, but it remains unopened.Another day or two later, Anthony follows Mary around town from Adam's residence to her job; he becomes frustrated because of his strong sexual desire for Mary.Anthony goes to have a talk with his mother (Isabella Rossellini), thinking he has a twin brother that she never told him about. She denounces the idea of a twin brother and wants to not hear any more about it. She tells him that she's proud that he has a respectable job and a nice apartment and that it was a good idea for him to stop being a third rate movie actor.In the following scene, a giant tarantula lurks among the skyscrapers of Toronto.At another meeting, Anthony shows up at Adam's apartment and actually accuses Adam of "fucking his wife!" Even though Adam denies it, Anthony demands they swap identities for one night, so that Anthony can have a fling with Mary. Once this occurs, they will be even and Anthony will disappear from Adam's life forever.While Anthony is with Mary, Adam heads over to Anthony's apartment. He is let in by a security guard, who is eager for another trip to the "club". Adam isn't quite sure what he's talking about but he plays along. After being inside the apartment, Adam takes off his clothes and switches to something Anthony would wear. Helen soon arrives home from Lamaze class, and Adam sees that she is pregnant for the first time. She undresses and gets into bed, and invites Adam to join her. He is very nervous, but does so anyway.At a hotel, Mary is seen having passionate sex with Anthony (thinking it's Adam). Mary panics when she sees the mark where Anthony's wedding ring usually sits and demands to know who he is, as her boyfriend doesn't wear a ring. She demands Anthony drive her home.Meanwhile, Helen suspects that "Anthony" laying next to her is really Adam and not Anthony, but she doesn't care. All she really wants is the husband of her baby to be with her. Slowly they bond with each other and make love.While driving, Anthony and Mary get into a heated argument. The car swerves and wrecks violently against the curb, apparently killing them both.Adam wakes up the next morning looking very content. He leaves the bedroom and opens the letter with the key inside. He knows it's a symbol of his cheating nature and he is unable to resist. He calls to "his" wife telling her he plans to go out for the night. When she doesn't answer, he goes to her room but Helen is not there.... it's a giant room-sized tarantula cowered against the rear wall. Adam, with a resigned look, sighs.The movie ends with a shot of Adam; his expression isn't that of someone who is scared, rather someone who knows he must come to terms with the fact that he is no longer free to give into temptation.The closing credits role over the skyline of downtown Toronto and the surrounding area.
    

Enemy


            Bern, Switzerland. While walking over a bridge on his way to a local university, Raimund Gregorius (Jeremy Irons), a Swiss professor of ancient languages, notices a young woman in a red coat standing on the railing, about to jump. Dropping his briefcase, he runs and pulls her down. She helps him gather the papers that have spilled from his briefcase and accompanies him to the school where he teaches. But instead of waiting to talk, she leaves during the middle of his class, without her coat.Concerned, Raimund grabs the coat and runs after her, but fails to find her. He checks her pockets for identification. All he finds is a small book, a memoir of sorts, by Amadeu do Prado. It is stamped with the address of the bookstore, so he goes there. The bookseller remembers the girl purchasing this obscure book. As he leafs through it, a train ticket to Lisbon, Portugal falls out. The train is, in fact, leaving in 15 minutes. Confused and doubtful, Raimund rushes to the station, but the woman is nowhere in sight. At the last moment he decides to use the ticket himself, and during the journey he reads the book.According to the book, Amadeu do Prado lived in Lisbon, so Raimund searches for him, hoping that this will lead to the woman. He finds Amadeu's home, where he is welcomed in by the writer's sister Adriana (Charlotte Rampling). She gives the impression he still lives there. Raimund learns that Amadeu is a doctor, and that only 100 copies of the book were printed. When Raimund asks what happened to their father, Adriana's reaction is hostile. As he is leaving, the maid informs him that he can find Amadeu in the town's cemetery. He finds the tomb: Amadeu died in 1974.On the street, Raimund is hit by a bicyclist and smashes his glasses. While obtaining new glasses from a local optician, Mariana (Martina Gedeck), he narrates his experiences. When he collects the glasses, she tells him in fact that her uncle knew Amadeu do Prado well and would like to talk to Raimund.Raimund and his lovely new-found friend Mariana both go to the nursing home where her uncle João Eça resides (Tom Courtenay). João explains that he and Amadeu were both in the resistance against the Salazar dictatorship, a story told in continuing flashbacks as the film continues.Raimund then visits the priest Father Bartolomeu (Christopher Lee) who taught and also buried Amadeu do Prado. In another long flashback, the priest explains that Amadeu, a smart young boy from an aristocratic background, befriended Jorge O'Kelly (August Diehl), another bright boy in the school though of lowly means. They bonded through their love for knowledge, particularly the philosophical and political knowledge not permitted under Salazar. Amadeu gave a graduation speech that reflected his contempt for the regime, much to the chagrin of his father, a well respected judge.Raimund returns to Adriana and asks for her side of the story, and then visits João again for more information. He learns that Amadeu died of an aneurysm, which he knew he had, but had not told her about. As a doctor, Amadeu never refused a patient, and when a powerful member of the Salazar regime Rui Luís Mendes, called "the Butcher of Lisbon", was brought to Amadeu's clinic, he saved the man's life. Amadeu's friends were shocked by this, especially Jorge, who at that time was already in the resistance.Later, Amadeu confronted Jorge and declared that he too would join the resistance. Jorge introduced him to João and to Estefânia (Mélanie Laurent), a beautiful woman who helped the resistance by memorizing people's names and contact information, and who they were both attracted to. When the revolution against Salazar began, Amadeu was able to smuggle Estefânia to safety in Spain. Raimund learns where she went and goes there to see that she is still alive. The older Estefania (Lena Olin) tells Raimund about her romance with Amadeu before her fleeing into exile.Raimund finally meets the woman from the bridge again, in Lisbon; she had felt suicidal because she had just learned from the book that her beloved grandfather was the Butcher of Lisbon, but is learning to accept this.The events become a catalyst to Raimund's life, in a gentle sort of way. He informs the school that he is now returning to his job. In the final scene, Mariana goes to the railway station with him and, at the last moment, suggests he could instead stay.
    

Night Train to Lisbon

Paris

The Adopted

Operation Finale

The Mad Women's Ball

Return of the Hero

Mia and the White Lion

The Day I Saw Your Heart

Oxygen

Room of Death

Galveston

6 Underground

My Son


            César is a 40-year-old French journalist who has witnessed a Tsunami in the Indian Ocean and suffered kidnapping in Lebanon. Having had enough adventure in his life, he returns to settle down to a quiet life back in Paris where he becomes a culture writer. His real focus though becomes Paz Aguilera, a younger passionate photographer from Asturias, Spain with a fascination for sharks of which eventually she adopts one that she follows online with GPS.César meets Paz in an art show and the two fall in love. The two have a whirlwind frolicking romance where they act out their love and after an early honeymoon Paz quickly becomes pregnant. Now living in César's dreary apartment in Paris, the artsy free-thinking Paz clearly cannot come to terms with being pregnant and is obviously unhappy living in the old continent; soon domestic troubles ensue. César clearly cannot understand Paz's depression and suffering.The baby is finally born and despite her attempts to relieve the pressure of being a new mother by riding the metro in circles for hours, or taking fragmented portraits of herself, as well as following her adopted shark online through GPS, she clearly is not coping well with her new role, something that César really has problems understanding. Their relationship is breaking apart from the inside in slow-motion as César tries to shout some sense back into her.After getting a friend of César to help her mount an art exhibition of her work at the Louvre Museum, the highlight of her career, she announces to an incredulous César that she is leaving him and Hector, the baby, because she needs time and distance to find herself. While César has problems rising to the challenge, his whole life caves in when he receives the news that the naked deceased body of Paz was found on a beach on Oman. Leaving Hector behind, temporarily in the care of another, César flies to Oman to try and understand what had happened.In Oman, César recognizes the body and tries to investigate her death. César is clearly mourning her loss and seems himself at a total loss to understand her. Initially, he finds uncooperative witnesses on the beach where her body had been found but eventually he finds someone who informs him that Paz had been an avid diver (plonger in French) in a diving club nearby. Pursuing the lead he meets a woman who was a friend of Paz but who tells him little at first as he does not reveal his true relationship to Paz. César also joins the diving club and begins to take instruction from Marin, Paz's former dive instructor as we later find out, in an effort to both learn more about what had happened to his wife Paz, and to try and understand who she really was and why she had abandoned her family to come to Oman.Initially, Marin does not acknowledge that he knew Paz. In another encounter with the woman who was a friend of Paz, César reveals to her that Paz had left her baby behind in Paris with him, Paz's husband, something the woman did not know. Realizing that César deserved to know more about Paz and her life in Oman, she reveals that Paz seemed to spend all of her time diving with her instructor Marin right up until she died.Armed with this information, César confronts Marin and learns that indeed Paz and Marin had gone out to dive on the night of her death. César demands to know what exactly had happened that led to Paz death. Marin, in an emotional confrontation, admits that Paz had not only obsessed over diving in the deep where it seemed to be the only place she felt calm and at peace deep down under the blue waters of the sea, but also she had obsessed over a fascination with sharks.On the fateful night, Paz had insisted that Marin take her to dive at night in a location where a known shark was she wanted to encounter. He complied and explained that he had witnessed Paz's flashlight fall by itself to the depths of the ocean just after she had plunged into the sea. He dragged her dead body back into the boat and explained that he did not know the exact cause of her death, perhaps a problem with the air mixture in the air tank she was wearing, perhaps an air bubble in her bloodstream. Marin then explains that he took her body to another location and left her naked body floating in the water to be found by others. He admitted that he had failed to report the death for fear that authorities would close the diving club, the source of his livelihood.César, visibly upset, insists that Marin take him to the spot where his wife Paz had dived on that fateful night when she died. Marin accepts to take him and in the final scenes, we see Marin and César floating slowly in the depths of the sea around a large gray shark which remains mostly immobile as César slowly makes physical contact with it by touching it with his hand while Marin looks on. Returning to the boat that they had arrived in, César has flashbacks to better times when his wife and he had met and fallen in love with each other. There seems little else that César can now learn about Paz and what drove her psychology in this heavy-handed story of mourning and loss, however, his understanding has come too late.Credits roll.
    

Mélanie Laurent

Mélanie Laurent Movies or Tv Shows (upto Nov 2024) - Watch Online

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