
            In the present timeline, Rohit Mehta (Jisshu Sengupta), a Gujarati born and brought up in Calcutta, falls in love with Mahamaya (Swastika Mukherjee) and tries to woo her. Since he can just barely utter a few Bengali words (and that too in the wrong places), Mahamaya throws him a hurdle to cross - if he can write a song with correct Bengali lyrics and sing it without any accent or mistake, she would think of a possible relationship. Rohit accepts the challenge and goes to Portugal to study colonial history.Two years pass. Mahamaya is now a radio jockey at a popular radio station. Rohit is in Portugal but still very much in love with her. His Bengali is being refined by his friend and classmate Bodhi (Abir Chatterjee). Rohit chooses the music course and decides to do a dissertation on the 19th Century folk poet Hensman Anthony. He goes to Calcutta and then to Farashdanga, Chandannagar, where Anthony lived and composed his songs. He goes to the local library to get some books where he meets the assistant librarian, a mysterious man named Kushawl Hajra (Prosenjit Chatterjee), who claims to be the re-incarnation of Anthony himself. Kushawl laments that the visions of his previous life is haunting him every day, and slowly taking over the memory of his present life. Rohit promises to take him to Calcutta for treatment, in return he demands the life history of Anthony.The story then goes back to the 19th Century, where Anthony impresses the villagers with his musical talent. He saves a young Bengali widow, Soudamini, from performing sati and later marries her. But he yearns to learn the Bengali language and compose songs in that language. He learns it, reading Hindu scriptures and understanding the meaning of the folk compositions. In those days, kavigaans were very popular in Calcutta, where two kaviyaals or folk poets would face each other with their respective groups and compete with each other through songs and poems. Anthony was impressed by the kavigaans and decided to form a group on his own. He used to compose the songs himself, and on the first occasion met the woman kaviyaal, Joggeshwari (Ananya Chatterjee), whom he defeats. Slowly, as he began to progress in his career as a kaviyaal, he competed with noted kaviyaals of the time like Ram Basu (Sujan Mukherjee) and Thakur Singha (Biswajit Chakraborty).Simultaneously, in the present timeline, Kushawl is taken to a psychiatrist, where he is informed that to stop the visions, he must complete a work which he could not possibly do as Anthony. Kushawl's visions get stronger and stronger. Rohit meanwhile has found a way to sing his latest Bengali composition in front of Mahamaya, whose radio company has decided to organize a competition among bands hailing both from West Bengal and Bangladesh, "Bandemonium". Bodhi, who meanwhile had come to Calcutta to meet Rohit, takes him to Sidhu (playing himself) to arrange musicians for Rohit's performance. Meanwhile, Mahamaya had also started developing feelings for Rohit.Kushawl reveals to Rohit the story of Anthony's last kavigaan. Anthony had been planning to do a Durga-puja all by himself. But the villagers were against this, as, to them, Anthony is a firingee (foreigner) who had no right to perform a Hindu puja. He tells Soudamini that he is going to Calcutta for another kavigaan, and so won't be staying during the days of the puja. As planned, he leaves for Calcutta on the day of the puja. This time, his competition is with the best kaviyaal, Bhola Moira (Kharaj Mukherjee). The competition heightens and Anthony wins after a tough fight.In the present timeline, the day of "Bandemonium" has arrived. Rohit goes on stage and performs his Bengali song E Tumi Kemon Tumi as Mahamaya looks on, tears in her eyes. Within the song, the film goes back to the 19th Century. After Anthony returned from Calcutta, victorious against Bhola Moira, he finds his house and his durga idol set on fire by the villagers. He finds Soudamini dead and nobody around. With his love killed and his faith shattered, he digs a grave for her, and then for himself (as he had once promised jokingly to his wife).During the show, Bodhi brings Kushawl to the auditorium to see the performance of Rohit. Kushawl meets Mahamaya, and then leaves abruptly. After the performance, Rohit and Mahamaya profess their love for each other backstage. Rohit suddenly is informed that Kushawl is missing. He, along with Mahamaya, goes to Kushawl's house in Chandannagar, where they find him completely insane and lost in his visions. He attacks Rohit and then blabbers rubbish. Rohit, heartbroken, leaves with Mahamaya, realising that Kushawl is beyond cure now. The film then ends with a master twist, revealing Mahamaya as the reincarnation of Soudamini, though she remembers nothing of her previous birth. Anthony had wanted to apologize to his wife for leaving her alone, which Kushawl does after Mahamaya leaves with Rohit. The visions will not haunt him anymore. The film ends as Kabir Suman's song "Jaatishwar" plays in the background.
    

Jaatishwar


            
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The Stranger

And Quiet Rolls the Dawn

Abohomaan


            Kharij opens with a sequence where a small child comes to work in the household of a middle-class family. The couple are both working, and have a small lovable child. A few sequences later, the scene of action moves to the kitchen. The kitchen is locked from inside. The previous night, the servant had gone to sleep in the kitchen ( usually he sleeps in the basement of the house) and is not answering the frantic calls of his master and other members of the household. After trying for quite a while, the door is broken and the boy is found to be lying in an unconscious state. The doctor is called, who announces the child to be dead. As it is a case of unnatural death, the police is called. By now, inquisitive neighbors have already got wind of the incident, and have converged as a crowd in front of the couple's residence. Some sympathetic neighbors comes to help the couple in this crisis. Police arrives and takes stock of the situation. They conduct their routine investigations, and takes the body of the boy for "postmortem." The husband will have to report to Police Station in the evenings. A helpful neighbor, sensing it to be a complicated case, advises the husband to consult a reputed lawyer to prevent him from getting implicated in legal wrangling. When the husband goes to the lawyer, the lawyer exposes the husband's false claims of treating the servant-boy as one of their family members.When the deceased boy's father comes to the couple's house to take his son's monthly salary, he receives the shattering news of his son's demise from the other small boy working in the household. When the couple actually goes to meet the servant's father, the man breaks down and naturally, is inconsolable. Some of the sequences are indeed very touching. When the deceased boy's father has to stay that night in the couple's house, the couple sets up a nice bed for him at night, full of warm quilt and thick mattresses. However, the boy's father's sentiments prevented him from availing of such luxury, and he said that he would like to sleep in the kitchen where his son was found dead sleeping.Post-mortem gives verdict that the boy has died from carbon-monoxide formation. The boy had gone to a late night film show the previous night, and returned around midnight to the house. When he felt that it was cold, he went to sleep in the kitchen (normally he slept in the basement). There was no ventilation in the kitchen room, and the charcoal cooking item was dimly burning. Ignorant of the perils of sleeping without proper ventilation, the servant succumbs in his sleep. After the postmortem report, the boy is taken to the burning Ghat and set aflame.The denouement sees the hapless father finally asking permission from the couple to return to his home in the village.
    

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