
            Henry, the son of Stephen Stills (of Crosby, Stills and Nash), relates to the world through a near encyclopedic knowledge of dinosaurs. Fourteen-year-old Lexy, on the cusp of adolescence, has a new interest in boys. Wyatt, precociously verbal and terrorized by bullies, has a passion for orchids. Adam taught himself to play blues harmonica before he was two, and has currently taken up the cello. In addition to their interests and activities, all of these kids also have some form of autism.Director Tricia's Regan's riveting documentary follows five different families, participating in The Miracle Project (a theatre program created specifically for children with special needs) as their kids write and perform their own musical production. The film is as much about the parents of autistic kids as it is about the kids themselves. How does one communicate with a child who won't speak? What do you do when your kid only sleeps two hours per night? How do you cope with a world that has little use or compassion for kids that are so different? These are only a few of the questions that the parents must deal with, questions illustrated by a series of almost painfully honest and blunt encounters. Perhaps the most surprising of the kids profiled is Neal, the son of Elaine Hall, who founded the Miracle Project. Profoundly autistic, he hardly speaks, and is prone to violent tantrums, but when he is finally fitted with a keyboard voicebox, a sweet, intelligent personality is revealed. A complete triumph!
    

Autism: The Musical


            Wendy (Dakota Fanning)-a brilliant Autistic young woman and a fixation on Star Trek-lives a routine life in an Oakland, California group home where she is monitored by her primary caregiver, Scottie (Toni Collette). She spends her time writing a 450-page Star Trek script to enter in Paramount Pictures' screenwriting contest in hopes of winning the $100,000 prize.Wendy is visited by her sister Audrey (Alice Eve), who shows Wendy pictures of her infant daughter, Ruby, and reveals that she is selling their childhood home. Wendy asks Audrey to take her home, arguing that she will be able to buy back the house and help Audrey care for Ruby once she wins the screenwriting contest. Audrey refuses, telling Wendy she isn't capable of caring for a baby. Wendy has a meltdown and Audrey leaves in tears.After Wendy misses the mail-in date to send her script to Paramount, she decides to deliver the script herself. She leaves the group home early the next morning and is followed by the group home's small dog, Pete. Wendy and Pete board a bus to Los Angeles, but are kicked off and left by the side of the road after Pete urinates in the bus. Wendy then wanders into a shanty town, where she is mugged of most of her money. She then wanders to a nearby shop and is nearly swindled out of the last of her money by an employee. An elderly woman named Rose (Marla Gibbs) intervenes to stop the employee from exploiting Wendy. Rose sympathizes with Wendy as her grandson also has autism, and lets Wendy accompany her on the senior citizens' bus. The bus driver subsequently falls asleep at the wheel, crashing the bus.Following the bus crash, Wendy wakes up in a hospital in Bakersfield. Still determined to turn in her script, Wendy leaves Pete at the hospital, attacks a nurse, and escapes. During her escape, Wendy loses part of her script. She gathers used paper and begins rewriting the script.Simultaneously, Audrey and Scottie have realized Wendy is missing. They begin to search for her and file a missing persons report. After correctly deducing that Wendy left for Los Angeles to personally deliver her script, Scottie and her son Sam (River Alexander) set out on the road. The Bakersfield hospital notifies Scottie and Audrey of Wendy's whereabouts; police continue the search from there. Sam and Scottie find the missing script pages while scouring the hospital.Wendy then attempts to buy a bus ticket to Los Angeles, but is unable as she has no money. She ultimately stows away on the next bus to Los Angeles, hiding herself inside a baggage compartment. Upon her arrival in Los Angeles, Wendy wanders around until two police officers recognize her from the missing person's report. Officer Frank (Patton Oswalt) gains Wendy's trust by speaking to her in Klingon. The officers take Wendy to the police station, where she is reunited with Audrey and Scottie. They bring Wendy to Paramount Pictures so she can deliver her script.Despite being stonewalled by a rude mailroom worker, Wendy is able to sneak past security and submit the script to the turn-in box. Satisfied that she has completed her mission, Wendy tells her sister she did it to prove that she was more capable than Audrey thought. Wendy returns back to the group home where she later receives a letter from Paramount stating her script was not chosen, but encouraging her to continue writing. Despite the rejection, she is satisfied with everything she has accomplished. Wendy visits Audrey and holds her niece for the first time.
    

Please Stand By


            Featuring interviews with James L. Brooks, Nora Ephron, Carrie Fisher, and other screenwriting luminaries, Dreams on Spec takes an intimate look at how far people will go and how much they will sacrifice to pursue their dreams. This feature-length documentary follows three screenwriters as they struggle against overwhelming odds and often their families disapproval to turn their scripts into movies.David is a hip talent agent's assistant with three scripts circulating around town. He's plugged into "young Hollywood" - and when he's not working or writing, he's usually hanging out at the beach.Joe is a middle-aged family man who has split time over the last three years between caring for his autistic daughter and writing what he believes could be the Great American screenplay.And Deborah is trying to become one of the few African-American women to ever write and direct a feature film, though she's struggling just to pay her bills while she searches for money to produce her script.These poignant portraits are intercut with wisdom from a Greek Chorus of superstar screenwriters like James L. Brooks, Nora Ephron, Gary Ross, Carrie Fisher, Ed Solomon, Larry Karaszewski, Scott Alexander, Paul Guay, and Dennis Palumbo to forge a funny and compelling look at inspiration, creativity, and solitude in Hollywood.
    

Lexi Aaron

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