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Metallica & San Francisco Symphony - S&M2

Metalocalypse


            Turn It Around: The Story of East Bay Punk explores Northern California's pivotal role in evolution of punk rock - the loud, intense and anti-authoritarian philosophy of music and politics that arose in the late 1970s. Early San Francisco Bay Area punk pioneers like Dead Kennedys, Avengers, and Flipper, as well as the MaximumRocknRoll fanzine, helped take the punk underground global.As the once-vibrant local scene became wrought with violence, corruption and racism, punks over the bridge in the East Bay responded by creating a fun and inclusive style of punk that also carried on the regions tradition of radical thought. Banding together around Berkeleys all-volunteer 924 Gilman club, this diverse collective of misfits created a do-it-yourself, no-spectators petri dish for art & music that changed the Bay Area punk scene and the world at large.Today, we know about some of the bands who emerged from this scene, like Green Day and Rancid, but their success is just the tip of the iceberg; the roots of this inspiring story go deep into the underground. Drawing from over 180 interviews, footage from 100s of live shows, and over 35,000 archival photos and flyers, Turn It Around: The Story Of East Bay Punk is told by the people who were there; its unlikely beginnings, its struggles and triumphs, and how it continues to be influential today.
    

Turn It Around: The Story of East Bay Punk

Metallica: Some Kind of Monster


            The film opens with aerial footage of Vancouver and BC Place stadium with a radio DJ announcing Metallica's one-night-only concert. It then cuts to a heavy-metal fan driving into the empty parking lot and climbing on to the car's hood, whooping and laughing, but has difficulty due to his excessive weight. The film's main protagonist, Trip (Dane DeHaan) skates past the fan but wipes out. Trip is a roadie for Metallica. Skating into the underground parking, he gets a brown paper bag of something unknown from a beatup van and, venturing into the dressing room halls, encounters each of the band members. Giving the bag to his supervisor, Trip is told to "stick around." Standing in the main stadium arena, he then walks at a typical pace with the audience filing in to the arena in a time lapse to Metallica's traditional opener, Ecstasy of Gold.Metallica appears on stage and begins performing, and during Creeping Death, Trip's manager tasks him with bringing gas to a stranded truck carrying "something very important." Before driving his van, Trip ingests an unknown pill, alluded as a drug.As Metallica begins Fuel, Trip drives through the deserted streets with Metallica-esque flames on flat surfaces of the cityscape, alluding to the pill's effects or supernatural energy. Distracted by studying his map, Trip runs a red light but brakes late in the intersection's middle when he noticed a bloody hand smear on an illuminated sign. He gets t-boned by another driver, which subsequently flips the van.Crawling out of the van, Trip peers into the other car and, hearing radio reports of what's happening, calls to the unresponsive driver, who is standing with his back to Trip. The driver only briefly looks at Trip and start running past him, down the street. From the truck, Trip retrieves only a gas tank, a map, and a doll of unknown importance with a noose around its neck. As he exits, electricity crackles in the van from an unrevealed source, as a reference to the band's album, Ride The Lightning, as the title song off the album begins. Trip wanders down a street and a Police horse drags a dead officer across its path. After this, some people begin to run past him, oblivious, and some police cruisers speed past him, one ablaze. Emerging into the middle of a street, he realizes he has wandered between a large group of rioters and riot police, who are motionless. Gradually, the rioters start getting rowdier and more provocative, and when the police fire tear gas, the rioters swarm the police, in a full-on battle. Trip, stunned by the ferocity of the violence, stands by a window being strangely ignored. Suddenly, the window shatters behind Trip.In the heat of battle, a horseman (listed in the credits as The Rider, and known by some as "The Death Dealer") wearing a gas mask comes charging through, wielding a sledgehammer atop an armored horse. He pursues a rioter, lassoing his neck and hoisting the victim on a streetlamp, killing him. It is not formally indicated for which side The Rider fights. Enraged by this, Trip throws a brick at The Rider. This fixates The Rider on Trip, and he starts to pursue Trip, who loses the doll. Trip manages to evade The Rider by sneaking through a wall of rioters.Walking down a deserted street that is littered from an earlier battle, Trip walks under a dozen hanging bodies from a pedestrian bridge; it is unrevealed as to how they got there. Trip finds the truck he was tasked to give fuel to in a deserted parking garage corridor, but the driver, a middle aged man, is too traumatized in the cab to heed the presence of Trip. The back of the truck is opened with nothing but a leather bag which Trip opens, but the camera pans away. Trip just slumps down, speechless.Sitting around, Trip notices a figure waving at him from a distance. The Rider rides up behind the man, and suddenly a swarm of mobbers surge past the two. It is left unstated if they are the pre-encountered rioters or The Rider's minions (assuming The Rider is a supernatural entity). Trip then grabs the bag and tank of gas, jumps out of the truck, and flees.Unable to shake off the pack of mobbers, Trip is cornered at the end of an alley with the mobbers closing on him. For an unexplained reason, Trip ties a red bandanna around his mouth, puts up his hoodie, and drops the bag. Picking up the gas tank, Trip pours the gas onto himself and sets himself ablaze, and then charges the mobbers, being beaten collectively.Trip wakes on a building rooftop (with Enter Sandman starting), while the doll he lost has become animated and is walking to the leather bag. As Trip is getting up, a noose is lassoed on Trip, and he is pulled upon The Rider's horse. Trip grabs The Rider's hammer to free himself. The Rider rides to the opposite end of the rooftop and starts to charge Trip, who picks up the hammer and slams the floor with it, sending unexplained earthquake-style shock waves across the city, shattering all the glass and structural exteriors of surrounding buildings and disintegrating The Rider and his steed to dust. This also has the effect of reverberating throughout Metallica's concert, interrupting it with a blackout of power, and causing lighting trusses to fall. The concert staff eventually hook up a back-up generator, and the band continues the concert without the pyrotechnics and light props.Trip arrives back at the stadium with the doll and the bag under his arm, finding the arena deserted with the concert either over or yet to start. During the credits, intercut scenes of the band performing Orion play to the deserted stadium. When Trip walks through the venue and takes a seat wearing his same clothes, the ending shot is the leather bag, which is never opened.
    

Kirk Hammett

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