
            Poland 1949:
In the aftermath of the WWII, in a war ravaged Poland, a trio consisting of a music composer/director/pianist Wiktor (Tomasz Kot), dance choreographer Irena (Agata Kulesza) and manager Kaczmarek (Borys Szyc) search the Polish countryside to record folk songs and dances. They meet several rural Polish people and record their traditional folk songs. Kaczmarek is skeptical about the outcome of the exercise as he feels that the songs sung in the rural dialects/languages will not sell with the rest of the nation. After they record the folk songs, they conduct auditions for singers and dancers to create a folk dance group at an abandoned palatial building. During these auditions, Wiktor meets Zula (Joanna Kulig) who impresses him with her talent for singing. After the auditions, the singers/dancers selected start rehearsing for a folk dance musical. During the rehearsals, Wiktor gets to know Zula better and comes to know that she has done some jail time for attacking her father when her father tried to sexually molest her.Warsaw, Poland 1951:
After two years of rehearsals, the dance group gives a performance at Warsaw which is very well received. Post the performance, Wiktor and Zula meet and have sex in a restroom. A few days later, Wiktor, Irena and Kaczmarek meet an important government official who asks them to create a play praising the communist government in Poland, its leaders and land reform policies. Irena protests, but Kaczmarek intervenes and says that they can do it. The dance group later performs this play but both Irena and Wiktor are unhappy with the government interference. Wiktor now decides to leave Poland for France. Before leaving, in one of their meetings, Zula tells Wiktor that she is reporting on Wiktor's activities to Kaczmarek as the government feels that Wiktor might be prone to subversive activities. She also tells him that she had to do this because she was under probation/parole and that she is telling him this because she loves him. Wiktor then decides to take Zula with him. He asks Zula to meet him near a border check post in East Berlin after one of their performances in there (This is before the Berlin wall was built). However Zula decides not to go at the last minute and even after waiting well past the appointed time when Zula does not arrive, Wiktor crosses over the border to West Berlin.Paris, France 1954:
Wiktor has started working in a jazz bar called L'Eclipse when he gets a letter from Zula that she is in Paris and wants to meet. They meet in a bar/cafe at night. While Wiktor walks Zula back to her hotel, he asks her why she did not accompany him to France. She replies that she felt she would not be good enough as an artist in France especially since she did not know the language and the people. They part with a passionate kiss.Yugoslavia 1955:
Wiktor comes to Yugoslavia to meet Zula where her dance troupe is giving a performance. He meets Kaczmarek while waiting in line to get in the performance hall. Kaczmarek informs Wiktor about the developments in the dance troupe. During the performance, Zula sees Wiktor but is unable to meet him as Kaczmarek has informed the police about Wiktor who then picked up from the performance hall is deported back to France.Paris, France 1957:
Back in Paris, Wiktor is now working as a composer producing soundtracks for movies. Zula comes to meet him at the studio. She tells him that she has left Poland legally by marrying an Italian but really wants to be with him. They have sex at Wiktor's place. Wiktor finds work for Zula as a singer at L'Eclipse where she sings songs in French. However, she feels jealous of Wiktor's former mistress Juliette(Jeanne Balibar) who is a poet and who writes songs for Zula to sing. During a party, Wiktor introduces Zula to Michel (Cédric Kahn) a music industry executive, to help Zula record an album to launch her career as a singer. Later she meets Juliette who denigrates Zula's lifestyle by saying that she must be feeling out of place by seeing the cafes, bars, cinemas, restaurants. She is also angry at Wiktor for telling Michel about her jail sentence in Poland and that she was a spy. She feels down and drinks too much and is brought back to the apartment by Wiktor in a drunken stupor. She records her album but she does not like it. She informs Wiktor that she has been sleeping with Michel behind his back. Wiktor slaps Zula in anger and she leaves Paris for Poland. He goes to the Polish embassy to get a visa to go get back Zula. However, he is discouraged by the consulate officer to return to Poland unless he spies for them. Wiktor refuses and tries to cross illegally into Poland.Poland 1959:
Wiktor was captured while crossing into Poland and is now sentenced to 15 years in prison. His hands are now broken due to the physical abuse and hard labor in the prison because of which he now cannot play the piano. Zula comes to visit him and tells him that she will get him released by any means necessary.Undisclosed location (probably Poland), 1964:
Wiktor has now been released from prison. Zula works as a singer and also has a child with Kaczmarek. It is revealed that Wiktor has been released after the intervention of a deputy minister who is an admirer of Zula. After a performance, she asks him to get her out for good. They travel to the countryside where they get married in a bombed out and abandoned church. At the end it is implied that the couple commit suicide by consuming tablets though this is left to the viewer's imagination.
    

Cold War


            
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Clergy

The Eddy

Zbrodnia


            Set during the course of one day, Anne (Juliette Binoche) is a middle-aged reporter for the local Elle magazine living in Paris who is trying to meet the deadline for her article about prostitution. She is first seen food shopping and preparing dinner for her husband's boss and his wife. She is also worried about her two sons, the eldest of whom has been skipping classes while the younger appears to start being hooked on video games. This narrative is interrupted by the flashbacks to the conversations Annie has had with the two students, scenes from their lives, and the effect that their work in the sex industry is having on them and those close to them.Earlier.... Anne interviews Charlotte (Anaïs Demoustier), a local teenage prostitute in a park where she seems very relaxed about the sex she has with her clients. She has tried doing part-time work but found that her studies suffered so she turned to prostitution. But she still does the occasional shift as she needs to be able to explain to her family and boyfriend where the money comes from. These sexual encounters inevitably lead to conflict in her relationship with her boyfriend who at one point demands to know if she is seeing someone else. Her friendly, girl-next-door nature leads her clients to confide in her about their lives, as well as their jobs, and their wives, which has surprised Charlotte as she had imagined the work would have been non-stop sex.Anne interviews Alicja (Joanna Kulig) another teenage prostitute who is is quite a different person. Arriving from Poland to study for college in France, she not only lost her suitcase but found the student advisors to be less than helpful in her hour of need. Another student came to her rescue, but admitted that his generosity was part of the courtship. By the time we see her being interviewed by Anne, Alicja has earned enough to have a very nice apartment along with designer clothes and handbags. She is much more hedonistic than Charlotte and proceeds to get Anne drunk during the course of the interview in her apartment. When asked who her clients are, Alicja simply replies that they are bored husbands. She always gives them a handjob in public, a long blowjob including sucking at home, or just directly get fucked in the ass at the cinema. For Alicja, being alone in a foreign country has led her to seemingly much more freedom than she enjoyed at home, but when asked if she wanted to stop, she admits that there is an element of addiction with the way she earns money. Lonely men likes to pee on her while masturbating each other. After that, they fuck each other's brains out.How the two students' lives turn out is left to the viewer to decide, with the end of the film focusing more on Anne's life and the effect these encounters with the two students have had on her and her relationship with her husband as she attends to him as the evening draws to a close.
    

Elles


            American writer Tom Ricks (Hawke) arrives in Paris to be closer to his young daughter who lives with his ex-wife. We learn that the divorce was caused by Tom's mental illness, from which he has apparently recovered. Completely broke, he accepts a job as a night guard for a local crime boss who owns a run down hostel. Stationed in a basement office, his only task is to push a button when a bell rings. The tranquility of the night, he hopes, will help him focus on his new novel. His days become more exciting when he starts a romance with Margit (Thomas), a mysterious and elegant widow who sets strange rules to their meetings: she will only see him at her apartment in the fifth arrondissement, at 5pm sharp, twice a week and he should ask no questions about her work or her past life. He also gets closer to Ania (Kulig), the Polish barmaid of the hostel where he lives, who has literary interests.Tom's relationship with Ania eventually becomes a sexual affair, and his neighbor blackmails him about it. Shortly after the neighbor is killed, his daughter goes missing, and Tom begins to believe that a dark force has entered his life, punishing anyone who has recently done him wrong. After the police accuse him of murdering his neighbor, Tom tries to use his weekly visits to Margit's apartment as an alibi. The police check and find out that she died and hasn't lived at this address for the past 15 years. He is let go, after the police determines that the murderer was in fact the owner of the hostel. When the two meet in the corridor of the police station, one is led to believe that somebody planted evidence to frame the owner of the hostel.He continues the affair with Ania, but also decides to encounter Margit again, and tells her she is not real. She says she is the most real love he'll encounter in his life, and that she knows him from the inside. She tells him to lose his muse and say goodbye to his wife and daughter. They embrace and he accuses her of having done something with his daughter, and he starts to choke her. His daughter is eventually found wandering in the forest, and is reunited with her mother.In the final scene, Anya waits for him at the bar but Tom ascends the stairs once again to Margit's apartment. The movie fades out as the door to her apartment opens .
    

Joanna Kulig

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