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The Young Pope

Angels in America

In Between Songs


            It's 1927 and we meet silent movie star George Valentin (Jean Dujardin) on top of the world. He's behind the screen; in front of it an ecstatic audience is enthralled by his latest starring role. As the credits roll, Valentin takes the stage for what a virtuosic display of bowing, his canine sidekick performing some cute tricks too.Outside the theatre, adoring fans and press push and surge to breathe the same air as their hero. A pretty young girl at the front of the crowd drops her wallet, and makes the most of picking it up to slip under the security cordon. There's silence as Valentin looks shocked, confused, angry even - but it's all his joke and, laughing at his own power to create such confusion, he gamely poses for photos with the young lady to the delight of the assembled press, and to the chagrin of his stern, world-weary wife who reads of the escapade in the papers the next day.The young girl - one Peppy Miller (Bérénice Bejo), we learn - having shared a moment with her hero is inspired to follow his path, and turns up at the studio to audition, successfully, as an extra. Valentin himself arrives at the same studio where he is again the star, this time of 'A German Affair'. On entering the studio the star is enthralled by a pair of legs he sees rehearsing on the other side of a screen. He joins the dance from his side of the screen, and beckons to the set builders to remove the screen, hoping to surprise the girl. It's he, though, who is surprised to discover the legs belong to the same Peppy Miller from last night's crowd and this morning's papers.Years pass, one presumes in a similar fashion. One day though, Al Zimmer, the immaculately stereotyped cigar-chomping, braces-pinging studio boss (John Goodman) calls Valentin in to see the latest technological innovation - a primitive attempt to record sound with motion pictures. Valentin scoffs at the footage, but is clearly ruffled by it. He dreams a nightmare where everyday sounds are exaggerated (for the first time here the film takes on a diegetic soundtrack) culminating in a confusing cacophony where a feather lands with a boom. Only his own voice is stifled; despite the soundscape around him, he is mute.Valentin's instinctive suspicion of the technology proves well-founded, when he - once the king of the silent movie - is quickly marginalised, and eventually fired by Zimmer. Audiences want change, he's told. It's time to move on.Devastated by his sudden fall to insignificance, Valentin takes to drink. Peppy, meanwhile, has done well out of the new 'talkies'. Now the doyenne of the Hollywood set and as wealthy a pin-up herself as her mentor once was, she gives a radio interview in a café in which she attributes her success to the simple truth that audiences want change. "Out with the old, in with the new," she quips. From an adjacent table, unseen, Valentin listens in before theatrically 'making way' for young Peppy, dramatically taking his leave.Valentin's circumstances go from bad to worse. A self-funded attempt to make a return to the era of silent film ("Tears of Love") flops, and the rest of his savings are wiped out by the 1929 stock market crash. When the whisky runs dry, the ex-star auctions off everything he owns. His dour wife leaves him (perhaps the one bit of good fortune he has enjoyed since the days of stardom) and he is forced to sack his loyal butler Clifton.He visits a bar and passes out after envisioning a hand-sized miniature of him dressed as his "Tears of Love" character scolding him and miniature savages attacking him with spears. Clifton finds him on the floor of the bar and takes him to Valentin's apartment.Valentin stands in a home film projector room and has a vison of his shadow moving by itself while the screen is blank, and then off the screen.Finally, in a climax of drunken rage, Valentin sets fire to his old film reels, and, with them, his apartment. Attempting to save one canister in a sudden moment of regret, he is overcome by fumes, and it is only thanks to the endeavours of his ever-loyal dog that he is rescued by a nearby fireman.Peppy has discreetly been following Valentin's fortunes and is shocked to learn of the fire from the newspaper. She leaves a shoot to visit him in hospital, and, stopping short of declaring her love for him, takes him to her grand villa to recover. Waking briefly, Valentin realises his luck and the pair embrace.However, while Peppy is out at a shoot, Clifton arrives and reveals that he is now employed by Peppy, tosses a film script at the bed and what appears to be a Whitman Sampler on the nightstand, and gives a short speech about the drawbacks of being too prideful. But Valentin appears disdainful of the talkie script.After Clifton leaves, the convalescent Valentin roams the villa, and discovers to his horror a room full of the very possessions he himself had previously auctioned off. His pride deeply wounded by her having come to his rescue without his knowledge, he flees the house and returns to the embers of his burned-out apartment to root out his old pistol. Returning home and realising Valentin has left in anger, Peppy gives chase in her car, guessing his intention.Valentin sits in his chair with the gun in his mouth, while the dog frantically pulls at his trouser leg.The intertitle flashes up: "Bang!"But it is outside that we find the source of the noise; Peppy has crashed her car into a tree. She leaps from the wreckage and consoles Valentin just in time to avert catastrophe. She tells him she has secured a role for him in her next production. Valentin is sceptical, saying the audience doesn't want to hear him talk. Peppy tells him she has another idea, and the film ends with Al Zimmer toasting the next entertainment sensation as Valentin is back in the studio, and back to his ebullient self with Peppy as his tap dancing partner. The consummate artist, Valentin has found a way to use the new sound-recording technology without lowering himself to a speaking part.
    

The Artist

King Leopold's Ghost

Still Mine

My Own Worst Enemy


            The film begins on the eve of the 1997 British general election, which sees Tony Blair (Sheen) elected as the United Kingdom's first Labour Party Prime Minister in 18 years. While posing for an official portrait, the Queen (Mirren) talks with the artist and expresses her regret about not being allowed to vote. She is slightly wary of the new prime minister and his pledge to "modernise" the country, but Blair promises to respect the independence of the Royal Family. When Blair visits Buckingham Palace to kiss hands, the Queen follows custom and asks him to form a Government in her name.Three months later, during a visit to Paris, Diana, Princess of Wales is killed in a car accident in the Pont de l'Alma tunnel along with her companion Dodi Fayed and driver Henri Paul. Blair's director of communications, Alastair Campbell (Mark Bazeley), immediately prepares a speech in which he describes her as "the people's princess." Blair gives the speech the next morning and the phrase catches on immediately. Over the next few days, millions of British people in London erupt in an outpouring of grief, as they flock to Buckingham and Kensington palaces to leave floral tributes and notes.Meanwhile, the Royal Family are still on their summer residence at Balmoral Castle, the Queen's estate in Aberdeenshire, Scotland. Diana's death immediately sparks division among senior members of the family; while the Queen is saddened by Diana's death, she and her husband differ with Prince Charles, Prince of Wales over what arrangements should be made. The Queen observes that since Diana divorced Charles (Alex Jennings) a year earlier, she is no longer a member of the Royal Family. Consequently, she insists that the funeral arrangements are a "private affair" and are best left to the princess's own family, the Spencers. A visibly grief stricken Prince Charles, however, argues that Diana was mother of the future King and that the Queen's suggestion is dismissive of this fact. Following her mother's suggestion, the Queen eventually sanctions the use of an aircraft of the Royal Flight to bring Diana's body back to Britain. Charles ensures that his ex-wife's coffin is draped with a Royal Standard instead of remaining a "wooden crate."In London, the bouquets begin to pile up along the palace railings, forcing the changing of the guard to use another gate. Meanwhile, British tabloids become increasingly inflammatory about the lack of any statement by the Royal Family. Prince Charles, during a brief conversation with Blair and later through back-channel contacts, leaves no doubt that he shares the Prime Minister's views about the need for a more public expression of grief. As the Queen's ratings plummet, Blair's popularity rises sharply, to the delight of the his Anti-Monarchist advisers and wife Cherie (Helen McCrory).Blair, however, does not share these sentiments. Despite not concurring with the Queen's course of action, he admires her and tells his wife that a Republican Britain is a ludicrous idea. Later on, he angrily denounces the anti-royal disdain of his Labour advisors and accuses Diana of having tried to destroy everything which the monarchy stands for. After days of building pressure, Blair calls the Queen at Balmoral and urgently recommends a course of action he believes is needed to regain the public's confidence in the monarchy. These measures include attending a public funeral for Diana at Westminster Abbey, flying a Union flag at half mast over Buckingham Palace (the flag is only meant to be flown when a Royal person is present and has never been used for mourning), and speaking to the nation about Diana's legacy in a live, televised address from the palace.Blair's recommendations outrage Prince Philip, Duke of Edinburgh (James Cromwell) and Queen Elizabeth, the Queen Mother (Sylvia Syms). Philip is also surprised that Elton John is asked to attend and sing a song, "Candle in the Wind" in Diana's honour. They view such steps as an undignified surrender to public hysteria, created by the tabloids, that will eventually calm down when the public comes to its senses. The Queen seems more concerned about this and although she shares their feelings, she begins to have doubts as she closely follows the news coverage. Speaking with her mother, the Queen muses that there has been some shift in public values, that perhaps she should step aside and hand over the monarchy to the next generation. The Queen Mother dismisses these ideas, however, saying that she is one of the greatest assets the monarchy has ever had, stated: "The real problem will come when you leave." She also reminds her daughter of the promise she made in Cape Town, South Africa, on April 21, 1947, her 21st birthday, in which she promised that her "whole life, whether it be long or short, shall be devoted to your service and the service of our great imperial family to which we all belong..."Later at Balmoral, Philip attempts to distract his grandsons from their mother's death by taking them deer stalking. While venturing out alone in her Land Rover, the Queen damages her vehicle while fording a river and has to call for assistance. While waiting, she weeps in frustration but then catches sight of the majestic Red Deer stag which her grandsons have been stalking. Hearing a distant gunshot, she shoos the animal away. Later that day, the Queen decides to carry out the recommendations of Blair. While preparing to return to London, she is horrified to learn that the stag has been killed on a neighbouring estate, by a visiting stockbroker. She visits the estate where the stag is being dressed and expresses dismay at the amateurish way it was hunted.In the film's climax, the Royal Family return to London and inspect the floral tributes. The Queen also goes on live television to speak about Diana's life and legacy, even going so far as calling her "an exceptional and gifted human being." Two months later, Blair comes to Buckingham Palace for a weekly meeting. The Queen has regained her popularity, but believes she will never quite fully recover from "that week." She cautions Blair that one day he too will find that public opinion can rapidly turn against him. She declares, however, that times have changed and that the monarchy must "modernise." When Blair suggests that he can help with this, The Queen responds, "Don't get ahead of yourself Prime Minister. Remember, I'm supposed to be the one advising you".
    

The Queen

The Snow Walker


            Spirit (Matt Damon) is a young stallion who leads the Cimarron herd. He enjoys his freedom, as when he races with an eagle, but he also remembers his responsibilities, as when he saves two foals from being attacked by a cougar. One night he sees a campfire in the distance and goes to investigate, despite his mother wanting him to stay. When he reaches the camp, horses tied nearby encourage him to leave, but he wants to know who's there. His nosing causes the men to wake up and chase him, eventually catching him as his mother and herd watch from a nearby cliff. His mother tries to go to him, but he urges her and the herd to flee, which they do.Spirit is taken to an army fort, where he defies all their efforts to brand, shoe, and break him. He and a Colonel (James Cromwell) have taken an instant dislike to each other, so the Colonel orders Spirit to be tied to a post for three days with no food or water. While he is tied, a young Lakota brave named Little Creek (Daniel Studi) is brought in and tied to another post. That night, his friends throw him a dagger, which he conceals from the soldiers as they file out at dawn on the third day. The Colonel himself attempts to ride Spirit, who, despite his best efforts, cannot throw him and appears to give up, exhausted. The Colonel is very pleased with himself and rides Spirit around the corral, boasting. But Spirit is merely regaining his strength and, in a final show of defiance, grabs the reins, breaks the saddle, and tosses the Colonel off his back. The Colonel is furious and attempts to shoot Spirit, but Little Creek cuts himself free and shoves the gun away. The two then escape, taking all the other horses with them in the process. Once free, Little Creek calls his own horse, a beautiful paint mare named Rain, and jumps onto her. Spirit is momentarily distracted and is caught again, this time by the Lakota.At the Lakota's camp, Spirit is puzzled by Rain and Little Creek's relationship, wondering why a horse would ever accept a human. After a failed attempt to ride Spirit, Little Creek ties Spirit and Rain together and lets them loose. Spirit thinks he's free and starts to run off but Rain stands firm. He relents and lets her show him around her world, falling for her in the process, but still longing to be free. He starts to respect Little Creek too, although he still won't let him on his back. Little Creek finally realizes that no one should ever ride Spirit and sets him free, knowing that the wild is where he belongs. Spirit is ecstatic and immediately finds Rain, wanting her to come with him. But even though she loves him, she feels a kinship with Little Creek and wants to stay with him. While they are together, the Colonel and his men attack the Lakota camp and Rain leaves to help Little Creek, with Spirit hot on her heels trying to stop her. After losing sight of her for a moment he finally spots her, with Little Creek on her back, running toward the Colonel, who levels a gun at them. Rain rears and is shot, with both her and Little Creek falling into a raging river. Little Creek clings to a rock and is almost shot as well, but Spirit rams the Colonel's horse, saving him, and the two share a brief look before Spirit runs off to save Rain, who has been swept away by the current. Although he reaches her, he cannot swim against the rapids and the two are swept over a waterfall. Spirit survives and finds Rain lying on a bank, barely alive. He stays with her all night and is captured by the army again in the morning. They leave Rain, believing that she's not going to make it, and she is found by Little Creek. Little Creek is amazed that Spirit saved his life and pursues the train he is loaded on. Spirit is despondant and on the verge of giving up when the swirling snow outside the car reminds him of his herd and he realizes that he can't give up and must get back to them.Spirit and other horses are used by the railroad to move a steam engine up a steep mountain. Coming over the top, Spirit realizes that the railroad tracks are headed directly towards his homeland and that he must escape and stop them. Thinking quickly, he pretends to faint and, once he is released from his harness, frees the other horses. The engine tumbles down the mountain and smashes the railroad's base, with Spirit barely managing to outrun it. He thinks everything is all right until he realizes that the explosion started a forest fire. He runs but finds a large log in his path. He clears it, but a chain that was still around his neck catches on a branch and he is helpless until Little Creek appears and cuts him loose. The two escape the fire by jumping off a cliff into a river. The next morning they have a joyful reunion which is cut short by the Colonel and his men finding them. Little Creek urges Spirit to run but he doubles back and pushes Little Creek onto his back, much to his surprise. Spirit runs into a canyon and they manage to evade their pursuers, only to find themselves on a high plateau, the only way out being across a deep gorge. Spirit harnesses all his strength and makes a spectacular leap, flying across the chasm to safety. The soldiers arrive on the plateau and one of them attempts to shoot Spirit, but the Colonel grabs the gun. He and Spirit exchange nods of respect before the soldiers leave. The two friends celebrate and Spirit allows Little Creek to ride him back to the Lakota camp. Upon arriving, Spirit is saddened because he does not see Rain, but Little Creek whistles and she appears, perfectly well. Little Creek says goodbye to Rain, realizing her place is with Spirit. He asks Spirit to take care of her, addressing him as "Spirit-who-could-not-be-broken". Although he has waited for this moment for a long time, Spirit finds the goodbye harder than he thought. He and Rain travel to his homeland and find his herd, and his mother, safe and sound. They gallop off, with Spirit and Rain in the lead, as the camera pans up to reveal horse-like clouds running across the sky.
    

Spirit: Stallion of the Cimarron

The Education of Little Tree


            The film begins by panning over the breath taking English country side and to a quaint country home. This is where the Rev. and Mrs. Austen live with their family. While everyone else is sound asleep, Jane is up writing. She then gets up and wakes the entire household by playing loudly on the piano. The noise startles both Robert and Cassandra. Cassandra is Jane's sister and Robert is her fiance. Both Robert and Cassandra run out of their own rooms to see what the noise is and Robert catches a glimpse of Cassandra in her night gown which prompts the latter to smile slyly and then rush back to her own room.Mrs. Austen, who was trying to sleep, complains that Jane needs a husband. Rev. Austen, lying next to her, comments that because he has set an example of perfection, Jane can not be satisfied with anything less. The couple then playfully banter before rising for church.Meanwhile, Tom Lefroy is in London. He is the nephew of a very prominent judge but enjoys sowing his wild oats. Tom spends a lot of his time boxing, drinking, and enjoying the company of prostitutes and mistresses. His family is very poor, but his stern uncle has taken him under his wing in hopes that Tom will prove to be a respectable lawyer one day. Tom is friends with Henry Austen, a recent Oxford graduate who will be returning home soon.One day, Tom comes in late to court where his uncle is presiding. It is the last straw. His uncle speaks with him in private, saying that he is fed up with Tom. As punishment, he is sending Tom to the country side where Henry lives (as well as some other members of the Lefroy family.)Back in the country, there is a small gathering to celebrate Henry's recent graduation and homecoming. The Austen's distant and widowed cousin Eliza is there. She is quite wealthy and extremely beautiful and catches Henry's eye even though she is older than he is.The guests at the party beg Jane to do a reading. Apparently she is quite well known in their small community for her humorous writings. She happily stands up to read something dedicated to her sister and has barely begun when Tom strolls in - quite late. She is extremely annoyed and flustered, but continues reading. She is insulted when, while everyone else is laughing, Tom appears to be falling asleep. After she completes the reading, she overhears Tom commenting on her writing as being unremarkable and only so-so. (Very similar to the scene in Austen's Pride and Prejudice where Elizabeth hears Mr. Darcy commenting on her merely "tolerable" appearance.) Extremely upset, Jane tears up some of her writing and casts it into a fire.Later, Tom goes out for a walk where he encounters Jane. They bicker about her writing, but sparks fly between them. Jane defends her writing, saying that he did not understand it because it was ironic. They part after a verbal sparring, but you can tell Tom is intrigued by her.The chemistry continues to build when Jane performs far better than Tom anticipated in a cricket match. He is forever being surprised by her. Then one day, Jane accidentally encounters Tom in a friend's library. He tells her that if she is serious about writing, she needs to have her horizons ... widened. He seems to be trying to seduce her and the prospect of it flusters Jane, who finds herself only a breath apart from Tom's lips. He hands her a book though (I think it was called "The History of Tom Jones") and tells her to read it if she really wants to be a novelist.Jane reads the book, which is rather scandalous. It depicts a woman's breasts and even has drawings of a topless women. She reads it anyway and when Tom asks her what she thought of it, she replies that she found it objectionable. However, she says it was not the characters or their lack of morality that she found it was unrealistic. Bad things happened to bad people in the book, she says, but that is not true to real life. In real life, Jane remarks, perfectly odious people (like Tom, she adds), succeed while good and noble people often fail. Jane says that a novel should reflect real life and real things. Once again, Tom is surprised by her and they develop of chemistry-fueled friendship.This makes things slightly difficult for Jane because her mother is encouraging her to accept a courtship with a nice-looking and friendly (but very dull) Mr. Wisley. Wisley is rich and has a very protective and snooty aunt who controls him (much like Lady Catherine de Bourgh from P&P). His aunt requests that he and Jane take a walk in the "pretty bit of wilderness" near the house (something that Jane immediately writes down and later appears in P&P spoken by Lady Catherine.)Jane doesn't want to take a private walk with Wisley, but she has no other choice. As expected, he takes the opportunity to propose. Jane says that she is honored by the sincerity of his proposal, but that she cannot consider it since she does not feel affection for him. He is embarrassed but says wisely that he has found that shy affection has often blossomed into great love. He walks away, leaving the impression that there is far more to him than meets the eye, but Jane cannot help that she does not love him.Jane's mother is outraged that Jane has not accepted Wisley's proposal. She herself married for love and the family is now very poor. She doesn't want Jane to suffer the same fate. Jane disagrees though. She believes that even if she never marries, she can support herself with her writing. Jane's mother vehemently disagrees.Later at a ball, Jane is searching for Tom but instead, Wisley's aunt finds her. In a very condescending tone, the aunt says that Jane has no choice but to marry her nephew even if she is just a poor daughter of a no-name clergyman. Jane is insulted and leaves. She is asked to dance by Wisley and she sadly agrees, believing Tom is not in attendance. She looks depressed throughout the dance until Tom takes her hand. He has slipped into the French contra line dance when Jane wasn't looking. The way the dance is structured, people exchange partners occasionally. Wisley notices that Jane seems to have come alive in Tom's presence.Later, Jane slips out to be by herself. Tom joins her and they share a private moment. He is leaving for London the next day. Jane leans in to kiss Tom and Tom leans back, but she continues and kisses him soundly. They break apart breathlessly and Jane asks if she did it (the kiss) well. Tom replies most enthusiastically that she did it quite well. They hear people coming, so Tom pulls Jane off into the trees where they kiss. Tom then confesses his love for her and that he is hers forever.Desperately in love, Tom decides to make his case to his very stern and un-romantic uncle who believes love leads to poverty. Tom, Jane, Henry, and Eliza all make a visit to Tom's uncle's home in London. His uncle is excited to see Eliza because she is nobility through her late husband, but he mostly ignores Jane. That night, Henry and Eliza discreetly share a room but Tom and Jane must settle for a very breathless goodnight. During this trip, Jane begins writing "First Impressions," the original title of her book "Pride and Prejudice."The next morning, Tom is preparing to ask his uncle for his consent to marry Jane. (His uncle gives him an allowance so Tom is completely dependent upon him.) Unfortunately, someone has sent a letter to his uncle portraying Jane as a husband hunter. Tom says he wanted his uncle to meet Jane for himself but his uncle is horrified and outraged. Jane is saddened but she believes she and Tom can still find a way to marry. Unfortunately, Tom doesn't have the courage to leave his uncle. Jane tearfully leaves with Eliza and Henry.(At this point, events might be slightly out of order. Sorry!) Once home, Jane resigns herself to her fate and decides to marry Wisley. She is upset with herself because deep down, she feels like she is betraying her convictions by marrying for money instead of affection. During a dinner with Wisley and his aunt, the family receives a disturbing letter. Cassandra's fiance who briefly left for an overseas trip to the Indies, has died of yellow fever.Jane is distraught. Her and her sister have both fared badly with love. It seems that no one will ever have a happy ending. Jane continues writing "First Impressions," something her sister Cassandra enjoys hearing about as well. She asks, "How does it begin?""Badly," Jane replies.
"And then?"
"It gets worse."But you can tell that Jane wants all the characters she invents to be luckier in love than she has been. Things take another disappointing turn when Jane learns from Henry and Eliza that Tom is back from London and that he is engaged.A short time later, Jane is on a walk with her brother George, who is deaf. He only has a small part in the film, but we know enough to know that Jane can communicate with him through sign language and they enjoy walks together. While they are walking, Tom appears. Even though the George is deaf, he can tell that the two of them are in love. Tom is attempting to explain himself to Jane when he breaks down and kisses her, telling her he cannot live this lie. They decide to forsake everything else and elope.Eloping means that they can never return to England, they will be poverty stricken, and Jane will probably find it difficult to write. Cassandra, the only one who knows what Jane is planning, explains this to Jane. But Jane asks if she would be willing to elope with Robert if it meant she could have him back. Cassandra understands and lets Jane go.Jane and Tom are thrilled and excited, but while they are on the coach, the wheel becomes stuck. Tom needs to help the coachmen, so he hands Jane his coat to hold while he helps. Jane notices a letter in his coat pocket. It is from his family. They are thanking him for the money he has been sending. Apparently, Tom was getting an allowance from his uncle and sending money back to his family to feed them. The letter expresses gratitude and they exclaim that they do not know what they would do without him. Jane realizes that Tom's entire family is depending on him and if they elope, he will no longer be able to provide for them.Jane tries to keep the new knowledge to herself, but her conscience gets the better of her and she asks Tom about his family. He is dismissive of her worries because he believes he can find a way to make money for them all anyway. Jane knows better though. She knows that they will probably have children too and there will be no way for Tom to provide for everyone. She believes that if she marries him, the guilt she feels will gradually erode their love. She tells Tom goodbye and leaves on a coach going in the opposite direction with Tom's face fading into the distance.Jane arrives back at home where everyone is looking for her. A young man who studies at the church with her father (John Warren) says that he will marry Jane and that he has been in love with her for a long time. Jane realizes he is the one who sent the letter to Tom's uncle. Jane cannot believe that love could have failed her and her sister so much.The family welcomes Jane back with open arms. One Sunday morning they walk to attend church together when a carriage pulls up along side them. It is Wisley and his aunt, who says she will not attend church since Jane is going to be there and she embarrassed by their family. Jane's family stands behind her and Wisley admires Jane's independence. He suddenly gets out of the carriage and asserts himself to his aunt, who is shocked.Wisley and Jane take a walk and Jane apologizes to him for her actions. He accepts her apology and says he believes he could love her but that he is prideful enough to want love in return. They agree to part as friends. He asks about what she will do and Jane says she will support herself through her writing. He asks if her characters will have happy endings. Jane says that, after a little trouble, her characters will have all they desire. He remarks that it is a "truth universally acknowledged" and Jane absorbs that statement (it later appears as the first line of P&P).Time flashes forward several years. A group of people are listening to an opera. The camera pans over the crowd and we see Eliza and Henry who have been married for a long time now. A much older Jane is seated with them. After the opera, a young teen girl approaches Jane as if she is a celebrity and exclaims how much she loves the book Pride & Prejudice. Henry quickly steps in and says that Jane is trying to remain anonymous. Jane then catches sight of Tom in the distance but he disappears. Henry goes after him, much to Jane's embarrassment. Jane and Eliza are talking when Henry brings back Tom who has a young girl on his arm.Tom says that he would like to introduce Jane Austen's biggest fan to her, his daughter. Jane is polite but when the girl pleads with her to do a public reading, Jane says that she can't because she is trying to remain anonymous. Tom's daughter objects, but Tom silences her saying, "Jane!"Tom has named his daughter Jane, after the one woman he loved. This is disconcerting to Jane, who immediately realizes why Tom named his daughter after her. She then concedes to do a reading. During the reading, you can see Tom toying with the wedding ring on his finger as he longingly watches his daughter and Jane read.The screen fades to black and writing appears on the screen, informing us that neither Jane or Cassandra ever married and Tom truly named his eldest daughter Jane.
    

Becoming Jane

Betrayal

Babe

Masters of Science Fiction

Operation Buffalo

The Family

The General's Daughter

The Trials of Cate McCall

The Last Days of Lehman Brothers


            A young boy from the United States is sent to Ireland to live with his grandfather after the lad's parents are killed in an accident. Between learning to help out on the farm and adjusting to the slower pace of life in rural Ireland, the boy's new life is not always easy for him, especially after he becomes friends with a girl whose family has long held a grudge against his grandfather. But the boy learns important lessons about love, loyalty, and self-discipline when he begins working with grandfather's sheepdogs.
    

Owd Bob

Memorial Day

Salem's Lot

Deadly Game

Never Too Late

Babe: Pig in the City


            Zoe Jensen (Michael Learned) is looking for a job as a teacher in San Francisco after having moved from her small-town in Nebraska after her divorce. There are no full-time permanent positions, so the lady in the official bureau of education recommends her to polish off her skills and take up any temporary assignments which may arise until her big opportunity arises.Back home, with a haid towel around her hair, after having had a shower, Zoe types and types. It's boring and repetivie. She sighs.Later, she attends to a party. She's decided to join her local church and sing in the choir. She tells her friend Inez (Ruth Nelson) that she hasn't found a teaching job yet. Some lady is advising somebody else not to quit the choir altogether, as she enjoys it so much, and she can't stay all day at hospital working. Her friend introduces Zoe to Muriel Moore (Valerie Curtin), who asks about Zpe's civil status. Zoe that she's signed her divorce papers that very same week, and that she's beginning to enjoy the freedom it's brought her. The next day she's going to hit the pavement again in search of a job.The new choir master has agreed to come out of retirement for some time. He's dealt with all kind of music, and doesn't expect perfection, so this year is going to be more enjoyable, says the Reverend Matt Lohman (James Cromwell) to all the ladies. Everybody claps when Ephraim Adams (John Houseman) is introduced. Adams' vocation is music. For him, music is difficult, worthy of the effort they are about to make and a crafty activity. He even recommends those people who are looking for a relaxing passtime to go somewhere else. He intends to sing Handel in a quality way. He also introduces to Seth Reuben (Ed Bogas), who will work with him playing the piano.The choir is a bit chaotic at the beginning. He recommends them to open their mouths fully. Muriel looks a bit lost. However, it's clear that Zoe is enjoying herself immensely.Back home, she is lonely in a dark flat. Her nosy neighbour who lives downstairs asks her about the letter she's just received: it's from her son. She wants to bring him to Frisco as soon as possible. The neighbour tells Zoe about a bachelor, but Zoe says she's not like Muriel, to which she laughs. In fact, Zoe looks completely uninterested when, at the office, a male colleague (Steve Prescott Jones) asks her to have a snack with him. She says she's just had a sandwich.Back home, in her almost empty flat, Zoe talks to her mother and to her son. She says that she's paying her bills with her temporary office job, but that there are no teaching jobs in San Francisco. As her mother insists, Zoe tells her that she's dating a "Jack" - referring to the pumpkin she's decorating at the moment.The choir member which left returns again, eager to give it another try. Adams offers a job to a tramp. Adams says that even when the song lyrics talk about sheep going astray, the singers did not to illustrate the point. He says that the auditions for the solo parts will be public this year. One of the male singers, Henry Quist (Ramon Bieri) complain, but Admas says that if they wish to sing Handel's  Messiah[(i] solo they can get into their own close at home and sing it there, but Adams says that if he can't sing in front of the choir members, he won't be able to sing in the church in front of 100 people.Muriel calls on Zoe and recommends herself to help her decorate her tiny flat. They go out to a bar. Muriel wants to go to the cinema afterwards, but Zoe doesn't feel like it. Muriel asks to the hand-in-waiting to bring her something "inside a pineapple", and as she's drinking her piña colada in the restaurant, some people had given her the odd look. It looks as though Zoe feels that Muriel is imposing herself too much.After the church service, still wearing their choir garments, Zoe talks to Wendell (Calvin Levels), as he looks worried. It's not because of the choir, because he's always on key. Wendell pretty much would like to be left alone. Three young thugs (Yule Caise, Kevin Harris and Rob Rivers) appear, and they pick on Wendell. Zoe realises the situation. They call Wendell a monkey, which starts a street fight. The rest of the people separate them.Wendell is in the kitchen. His grandmother (Beah Richards) enters and rudely asks what he's doing at home. He mutters something about his exams. She asks him suspiciously what he's drinking, but it's only coffee. Wendell wants Grandma to stop paying for everything, but she doesn't want him to go to night school or look for a job: studying is more important, and meanwhile, she'll be the only one working and paying the bills. But she insists that he's her only hope for a better future, so that she'll do as much for him as she wants, in spite of being 70 years old and having to clean offices all night.Audition night. Mr Loop (Lou Picetti) refuses to stand up, because he's past it, but he winks at Inez saying that he's not past some other things. Conceited Mrs Evangeline Burns (Anne Lawder) does a good auditon. Shyly, Mrs Maisie Kim (Daisietta Kim) does her audition for the soprano solo part. Obviously, Maisie Kim is much better than Evangeline. Everybody is amazed at her. Evangeline tells her afterwards that she should keep on practicing "among her people", because she is showing real promise.Zoe's mother keeps pestering on her through the phone: the son was two hours late back home because he hasn't got his mother to watch him; Zoe won't be able to visit on Thanksgiving due to her lack of funds. Zoe is working in the third office that week. She hangs up on her mother because she keeps on telling her to go back to their little town, where a teaching job could be easily given to her. Zoe keeps on typing and doesn't pick up the phone when her mother insists.Terry Lohman (David Knell) is a seventeen-yeared-old cute blond boy who's helping at a wedding party given to the choir members. His mother says that she misses snow during Christmastime as well. Alice Lohman (Roberta callahan) notices - and tells her husband - that Muriel has stolen a piece of silver cutlery, putting it inside her clutch. They comment that Muriel needs a husband urgently, until things get out of hand with her, but they don't do anything to stop her behaiviour. Terry doesn't want to appear on the wedding photograph, but he's forced to.Henry and Zoe go hike-hiking to the woods surrounding San Francisco. They dance together at a kind of Oktoberfest. Zoe's feet hurt afterwards. Henry says that she should have gold him sooner. Zoe hugs him. Henry gets too carried away, so Zoe rejects him. Henry Quist leaves immediately.Finally, the choir seems to be improving. Will Connolly gets to be the bass soloist; Mr. Jefferson (John Patton) has got the tenor solo. The alto soloist (Gail MacGowan) receives everybody's congratulations. Maisie wins the soprano solo. Evangeline tries to sing as if in a solo during a particular section, so Adams tells her off, stating that there are no solos. Evangeline Burns gets up in a frenzy, tells them that they are a bunch of amateurs, throws the music book to Ephraim and leaves in tears. Ephraim tells everybody that Mrs Burns was right, because they are amateurs, but that doesn't define the quality of their work. Amateurs do things for the love of something, not because of wages or because they are crappy to be professional.Hartley Wood (William Swetland) invited some of the choir members to his ship. Wendell and Grandma go with him. She walks with difficulty. They are celebrating Thanksgiving Day. There is an uncomfortable moment between Henry and Zoe. They ask Mrs Curtiss - Grandma - why she doesn't join the choir, as Wendell says she's got a wonderful voice. Mrs Curtiss teaches them a popular song.Rehearsals go on. Muriel is told off because she didn't take notes of the numbers in the measures in a particular part of the music. Ephraim asks Mr Goodman (Jay Krohnengold), who has written them, but speaks soft and meekly. Adams' shouting seems to scare Mr Goodman, everybody looks at the music teacher, startled. There are only four weeks before the acting. Another office worker (Carol McElheney) talks with Zoe about her daughter. Terry wants to borrow Lohman's car for Wednesday night. The Reverend asks him whether he's volunteered, and Terry, uninterested, tells him that he'll do so some other time. The Reverend has already forgotten his son and keeps looking onto the bills and documents.Mrs. Dienhart (Jane Frasier-Smith) is called to have a chat with Ephraim, and she is terrified about it. Ephraim thanks for a jar of marmalade she's given him. He wants to expell her from the choir because her voice has got worse with age. She offers herself to be an assistant of him; she talks with enthusiasm. Mrs Dienhart tells him that she wishes he'd never be told to stop doing something he really loves, like teaching music, because he wouldn't be able to take it.The Lohmans go to hospital. The Reverend tries to console his wife because the illness is back in full force, and treatment has only decreased the level of pain. She ends up hitting him in desperation. The Reverend Lohman cries at the church on his own.A lot of money is needed to to repair the organ. The technician recommends to use an electronic organ, which would be cheaper. Ephraim Adams opposes the move, but the church has no money or time to repair the organ before Christmas. The seller tells them that they can give the electronic organ a try for two months free of charge. Obviously, when the technician appears to demonstrate it, it's not quite the same thing, although Seth Reuben was the only one who looked eager to give it a try. Seth plays the organ and makes it sound almost as a normal organ.During the following mass, there are radio interferences from the organ which interrupt the Reverend's sermon and make the parishioners laugh. Ephraim shrugs and takes it as one more proof that the electronic organ is a bad idea. Later, in the office, his wife tells Lohman that that was his best sermon. Terry is helpint them out. Muriel appears and tells Lohman that it was Wendell Curtiss who vandalized the organ. Lohman doesn't fully believe Muriel, who allegedly saw it happen. Muriel says that the police are questioning Wendell at that police station, and that they have told her that she has acted very responsibly.Wendell is very distraught. He says that Muriel is crazy: she saw him leaving the church late at night because he had been practicing. Wendell is worried about how his grandma's gonna take the news.Detective West (Tony Dario) thinks that Wendell is guilty, although Lohman is not so sure. Terry appears and confesses. His mother thinks it must have been a blackout, or something, but Terry rejects that easy way out as explanation. He felt with energy, and wonders whether the church belongs to them, as they live there. The reverend Lohman gets frantic because Terry has destroyed all their lives' work.Choir members try to repair the original organ themselves. When the job is done, Ephraim Adams is given an unexpected surprise. The organ and the choir sound beautifully.Zoe's mother phones Zoe urgently, as Zoe's son has disappeared. Robbie (Matthew Hautau) appears with an angry taxi driver (Joe Bellan), demanding his money. Zoe embraces him and doesn't tell him off. Robbie plays with a yo-yo while his mother rehearses. Robbie says he'd rather have his parents together again, and his father says it was Zoe who wanted the divorce, not him.Lohman speaks to Wendell Curtiss, asking for pardon. They invite him to a Friday party. Zoe wonders why Wendell isn't angry, as he's got every right to be. Zoe urges Wendell to get his anger out, because what happened was utterly unfair. Zoe seems to be flirting with a man at that party.Adams gives a present to Mrs Dienhart because of her efforts in behalf of the choir. In the kitchen, Muriel tells Wendell that she only said what she saw, but he dismisses her, saying that she should get free of the anger she feels. Ephraim Adams loosens up a bit and sings a ridiculous song. Adams feels bad and has a heart attack. Mrs Dienhart brings Seth, Zoe and the rest coffee at the waiting room. Seth shouts that he's dying while they've having some coffee. The doctor (Mark Anger) appears and confirms that it was a stroke. The simplest option for everybody would be to cancel. Seth doesn't feel up to the challenge of stepping in and taking control. Zoe uses one of her "Nebraska's expressions", and all of them tell it to Seth, who will finally take control, with Mrs Dienhart turning the pages for him.The day of the premiere, Ephraim Adams attends in a wheelchair with a blanket over his legs. Terry enters the church later on, with the concert began. The Reverend approaches him.Maisie's voice shines on her solo. The concert proceeds on, with Wendell's grandma and Robbie happily watching.---written by KrystelClaire
    

A Christmas Without Snow


            A successful, nameless software developer (Josh Lucas) is nursed through the pain, grief and guilt of a personal tragedy by ... a derelict sailboat. After the tragic death of his wife and children in a car accident for which he blames himself, the would-be mariner drops out of his life and buys, sight unseen, a sailboat in a small marina on Traverse Bay, Lake Michigan.
    

Hide Away

Emperor

Avenger


            During a meteor shower said to be the most spectacular in 10,000 years, an asteroid hidden by the meteor field strikes the Moon. Fragments of the asteroid and of the Moon itself penetrate Earth's atmosphere and make impact. The initial damage is minimal, though significant physical damage to the lunar surface can be seen from Earth. Experts believe that the Moon has stabilized into a slightly closer orbit. Then strange anomalies begin to manifest themselves on Earth, including cell phone disruptions, unusual static discharges and odd tidal behavior. The world's leading scientists, including Alex Kittner, Maddie Rhodes, and Roland Emerson, begin piecing together evidence that suggests the moon's properties have been permanently altered because the asteroid that hit the Moon was actually a fragment of a brown dwarf; the fragment is highly magnetized and more massive than the Earth despite being only 19 kilometers across, and it is still inside the moon. When the Moon's new, more elliptical orbit brings it closer to Earth, electromagnetic surges begin affecting the surface, causing people, vehicles, and other objects to levitate at random, worldwide. Alex, Maddie, Roland and the rest of their team soon discover that the Moon's new orbit will cause it to collide with the Earth in 39 days, completely destroying the planet. After a failed attempt by the United States to destroy the Moon with nuclear weapons after not listening to the above scientists as it usually happens, the three scientists plan an international mission to the Moon, where astronauts must construct a device to magnetize the Moon's core, causing it to disgorge the embedded brown dwarf fragment, eliminating the magnetic effects and restoring the Moon to a stable orbit. Because of their unique expertise, Alex and Roland must join an American astronaut and a Russian cosmonaut on the mission, which is expected to be a one-way trip.Roland's pregnant fiancée, Martine Altmann, was travelling across Germany on a train that levitated and derailed. She and an American, Bob Pierce, are able to lead the survivors to a military convoy, and Bob convinces the soldiers to allow Martine to ride to Roland's location. She and Roland are immediately married. Alex's children are left in the care of their late mother's father. When they attempt to drive cross-country to reunite with Alex, their car levitates and crashes. After a confrontation with a man hoarding resources at a convenience store, the children's grandfather suffers a fatal heart attack. The other man originally plans to leave alone, but has a change of heart and brings the children to Washington, DC. Alex is already in space, but he had asked Maddie, with whom he once had a romantic relationship, to make sure his children remained safe. He is able to tell his children "goodbye" over a video feed.On the Moon, the electromagnetic machine is assembled. Roland and the astronaut, Courtney, travel in a rover to locate a fissure in the lunar surface. The rover crashes deep inside the fissure and Courtney falls to her death. Roland is unharmed but trapped inside the fissure and unable to rejoin the spacecraft. He demands that the cosmonaut, Sergei, launch the module so that he and Alex can be saved. The device is activated, causing a large explosion on the Moon, which kills Roland. The Moon splits in two as the brown dwarf fragment flies into the Sun. The orbit of the lunar debris is stable. Sergei and Alex make radio contact, revealing that they escaped the Moon before the explosion, much to the surprise and excitement to Maddie and Alex's kids. Back on Earth, Alex is reunited with his children and with Maddie. Film ends with Alex and Maddie staring briefly at the now fragmented moon before getting into an SUV together.
    

James Cromwell

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