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A Woman Under the Influence


            The film begins in an airport where Marjane Satrapi is unable to board a plane to Iran. Sitting down to smoke a cigarette, she remembers her life as a girl in 1978 at the age of 9. As a child, Marji is a young girl living in Tehran with dreams of being a prophet and an emulator of Bruce Lee. Juxtaposing her childhood ambitions is the general uprising against the US-backed Shah of Iran in Iran, with her middle-class family participating in rallies and protests with high hopes for a better society. Meanwhile, Marji attempts to identify with her generation's point of view, whether it is threatening the child of an unpopular government official, or competing for the greater childish prestige of having a relative who has been a political prisoner the longest time. Marji and a group of friends attempt to attack a young boy whose father killed Communists for fun, but they are stopped by her mother. That night, God appears before her to teach her about forgiveness, and about how she should not take justice into her own hands. One day Marji's Uncle Anoush arrives to have dinner with the family and catch with them after recently being released from prison. Anoush tells Marji his life on the run from the government for rebelling with his Communist ideologyhe also speaks of his time spent in prison to subtly warn Marjane of the consequences of standing up for innocents.During this time all political enemies ceased fighting and elections for a new leading power commenced. Unfortunately, the hopes of the family are profoundly disappointed when Islamic Fundamentalists win the elections and force Iranian society into its own kind of repressive state. Soon there are new laws that make things worse for the Iranian people, such as forcing women to dress modestly (including wearing the Hijab) to rearresting and executing Anoush for his political beliefs. Profoundly disillusioned, Marji rejects her prophetic aspirations before God and tries with her family to fit into the reality of the intolerant regime. To make things worse, the Iran-Iraq war breaks out and Marji sees for herself the horrors or death and destruction; the Iranian government begins implementing blatant laws that create ridiculous injustices. Marji witnesses her father threatened by teenage government officials wielding machine-guns and watches her critically ill uncle die because an unqualified government-appointed hospital administrator refuses to let him go abroad for medical treatment. The family tries to find some solace in secret parties where they can enjoy simple pleasures the government has outlawed, such as alcohol. As she grows up, Marji refuses to stay out of trouble, secretly buying Western heavy metal music on the black market, wearing unorthodox clothing such as a denim jacket, celebrating punk rock and other Western music sensations like Michael Jackson, or openly rebutting a teacher's lies about the abuses of the government.Fearing her arrest for her outspokenness, Marji's parents send her to a school in Vienna, Austria in 1983 where she could have safety and plenty. She is placed in a Christian boarding school when she arrives and soon finds herself on edge with the discriminatory and judgmental nuns that reside there. Marji does make new friends, but ultimately she feels intolerably isolated in a foreign land surrounded by annoyingly superficial people who take their freedoms for granted while making her feel ashamed of being Iranian. Her shame culminates in a passionate love affair with a debonair native that traumatically ends on her eighteenth birthday when she discovers him cheating on her. After going from place to place seeking residence, she is driven into homelessness where she nearly dies of bronchitis before she is rescued off the streets.Marji eventually recovers and returns to Iran in 1993 with her family's permission and hopes that the conclusion of the war would mean an improved life there. After a while of spending her time in front of television for days on end, doing nothing to advance her life, Marji falls into a clinical depression over the state of affairs in Iran and the misery that has nearly ruined her family. In a dream God and the spirit of Karl Marx appear before her to remind her of what is important and encourage her to go on with living. She bounces back with renewed determination and begins enjoying life again: she attends university classes, goes to parties, and even enters a relationship with a fellow student. On the other hand, Marji also discovers that Iranian society is more tyrannized than ever with numerous atrocities occurring. Mass executions for political beliefs and petty religious absurdities and hypocrisies have become common in everyday life. While this makes living as both a student and a woman intolerable, Marji manages holds on to her rebellious attitude. She openly confronts the blatant sexist double standard in her university's forum on public morality that singles out women and tells off policemen who warn her for running to class because her "behind makes obscene gestures" when she does so. However, she starts resorting to personal survival tactics to protect herself, such as falsely accusing a man of making a pass at her to avoid being arrested for wearing make up and marrying her boyfriend to avoid scrutiny by the religious police. Her grandmother reminds Marji that both her grandfather and her uncle both died supporting freedom and innocent people, and she should never forsake them or her family by succumbing to the repressive environment of Iran.Eventually her marriage falls apart and things come to a head when a party is raided by the police which results in a friend being killed trying to escape. After these incidents and her divorce, the family decides that Marji must leave the country again, and this time permanently, to avoid her being targeted by the authorities as a political dissident. Marji agrees, and her grandmother dies soon after her departure.Back to present day, Marji once again is unable to return to Iran, and she takes a taxi from the airport. When the driver asks where she is from, she sighs, "Iran". Her final memory is of her grandmother telling her how she placed jasmine in her brassiere to allow her to smell lovely every day.
    

Persepolis

Opening Night


            In a modern-day nursing home, an elderly man named Duke (James Garner) begins to read a love story from his notebook to a female fellow patient (Gena Rowlands).The story begins in 1940. At a carnival in Seabrook Island, South Carolina, local country boy Noah Calhoun (Ryan Gosling) sees seventeen-year-old heiress Allie Hamilton (Rachel McAdams) for the first time and is immediately smitten. She continuously refuses his persistent advances until their well-meaning friends lure them together; they then get to know each other on a midnight walk through empty Seabrook.Noah and Allie spend an idyllic summer together. One night, a week before Allie is to leave town, she and Noah go up to an abandoned house called The Windsor Plantation. Noah tells her that he hopes to buy the house, and Allie makes him promise that the house will be white, with blue shutters, a walk-around porch, and a room that overlooks the creek so she can paint. They intend to make love for the first time, but are interrupted by Noah's friend Fin (Kevin Connolly) with the news that Allie's parents have the police out looking for her. When Allie returns home, her disapproving parents ban her from seeing Noah again. Allie fights with Noah outside and the two decide to break up. Allie immediately regrets the decision but Noah drives away. The next morning, Allie's mother reveals that they are going home that morning. Allie frantically tries to find Noah, but is forced to leave without saying good-bye. The Hamiltons then send Allie to New York, where she begins attending Sarah Lawrence College. Noah, devastated by his separation from Allie, writes her one letter a day for a year, only to get no reply as Allie's mother keeps the letters from her. Noah and Allie have no choice but to move on with their lives. Allie continues to attend school, while Noah and Fin enlist to fight in World War II. Fin is killed in battle.Allie becomes a nurse for wounded soldiers. There, she meets the wealthy Lon Hammond, Jr. (James Marsden), a well-connected young lawyer who is handsome, sophisticated, charming and comes from old Southern money. The two eventually become engaged, to the joy of Allie's parents, although Allie sees Noah's face when Lon asks her to marry him.When Noah returns home, he discovers his father has sold their home so that Noah can go ahead and buy The Windsor Plantation. While visiting Charleston to file some paper work, Noah witnesses Allie and Lon kissing at a restaurant, causing Noah to go a little crazy, convincing himself that if he fixes up the house, Allie will come back to him.While trying on her wedding dress in the 1940s, Allie is startled to read about Noah completing the house in the style section of a Raleigh newspaper and faints. She visits Noah in Seabrook and he invites her to dinner, during which Allie tells Noah about her engagement. Noah questions whether Allie's future husband is a good man and she reassures Noah that he is. Later in the evening, Noah invites Allie to come back tomorrow.In the present, it is made clear that the elderly woman is Allie suffering from dementia, which has stolen her memories and Duke is her husband. Allie does not recognize their grown children and grandchildren, who beg Duke to come home with them. He insists on staying with Allie.The next morning, Allie and Noah go rowing on a nearby lake and begin to reminisce about their summer together. As a rain storm starts Noah rows to shore, where Allie demands to know why Noah never wrote to her. After the revelation that Noah had indeed written to Allie, they share a passionate kiss, before making love into the night.The next day, Allies mother appears on Noahs doorstep, telling Allie that Lon has followed her to Seabrook after Allie's father told him about Noah. Her mother takes Allie out for a drive to show her that there had been a time in her life when she could relate to Allie's present situation. On returning to Noah's, she hands her daughter the bundle of 365 letters that Noah had written to her. When alone, Noah asks Allie what she is going to do; Allie is confused and confesses that she doesnt know. Noah asks her to just stay with him, admitting it is going to be really hard, but he is willing to go through anything because he wants to be with her. Confused as ever, Allie drives off.Allie drives to the hotel and confesses to Lon, who is angry but admits that he still loves her. He tells her that he does not want to convince his fiancée that she should be with him, but Allie tells him he does not have to, because she already knows she should be with him.The film goes back to the elderly couple, and Duke asks Allie who she chose. She soon realizes the answer herself; young Allie appears at Noah's doorstep, having left Lon at the hotel and chosen Noah. They embrace in reunion.Elderly Allie suddenly remembers her past before she and Noah/Duke joyfully spend a brief intimate moment together; after originally finding out about her illness, she had herself written their story in the notebook with the instructions for Noah to "Read this to me, and I'll come back to you." But soon Allie relapses, losing her memories of Noah yet again. She panics, and has to be sedated by the attending physician. This proves to be too difficult for Noah to watch and he breaks down. The next morning, Noah is found unconscious in bed and he is rushed to the hospital; he later returns to the nursing home's intensive care ward. He goes to Allie's room later that night, and Allie remembers again. The next morning, a nurse finds them in bed together, having both died peacefully holding each other's hands. The last scene shows a flock of birds flying away.
    

The Notebook


            Los Angeles:
As evening falls, sassy tomboy cabby Corky (Winona Ryder) picks up hot-shot Hollywood executive Victoria Snelling (Gena Rowlands) from the airport, and as Corky drives, Victoria tries to conduct business over the phone. Despite their extreme differences socially, the two develop a certain connection. Sometime during the ride Victoria, who is evidently a talent scout or casting director, discovers that Corky would be ideal for a part in a movie she is casting, but Corky rejects the offer, as she has plans to become a mechanic.New York:
Helmut Grokenberger (Armin Mueller-Stahl), a mild East German immigrant who was once a clown in his home country, now works in New York as a taxi driver. He picks up a passenger named YoYo (Giancarlo Esposito), a brash, streetwise young man and attempts to drive him to Brooklyn. Helmut doesn't really know how to drive with an automatic transmission so he allows YoYo to drive. On their way, they pick up YoYo's argumentative sister-in-law Angela (Rosie Perez). The story revolves around Helmut's attempts to understand and become a part of the culture of New York.Paris:
A blind woman (Béatrice Dalle) goes for a ride at night with a driver (Isaach De Bankolé) who hails from the Ivory Coast. They both take some verbal jabs at each other during the ride. The driver asks his passenger what it's like to be blind and she attempts to explain to him, but their cultural differences and differences of life experience make things difficult. An ironic twist at the end of the segment turns upon a French pun near the beginning of it: When the driver states his nationality as "Ivoirien," some other Africans mock him with the punning phrase "Y voit rien" (he sees nothing there). After he drops off his blind passenger, he feels fascinated by her and gazes in her direction. This inattention to driving causes him to crash into another car, whose driver angrily accuses him of being blind.Rome:
In the wee morning hours, a very eccentric cabbie (Roberto Benigni) picks up a priest (Paolo Bonacelli). As he drives, he starts to confess his sins. Much to priest's discomfort, he goes into great detail about how he discovered his sexuality first with a pumpkin and then with a sheep, then details a love affair he had with his brother's wife. The already-ailing priest is shocked by the lurid confession, and promptly has a fatal heart attack, leaving the cabbie with a very troubling situation.Helsinki:
After an evening spent drinking heavily, three workers, one of whom has just been laid off (Kari Väänänen, Sakari Kuosmanen, and Tomi Salmela), climb into a cab to return home. On the way to drop them off the workers talk about what an awful fix their now-unconscious friend is in, by being out of work and having to face a divorce and a pregnant daughter. The driver Mika (Matti Pellonpää) then tells them all the saddest story they have ever heard. The workers are terribly moved and depressed by the story, and even become unsympathetic toward their drunken, laid-off companion. As they arrive home, the sun is beginning to rise on a new day. But no one sees change in their stupering friend from his day to day life.
    

Night on Earth


            Marion Post (Gena Rowlands) is a New York philosophy professor past the age of 50 on a leave of absence to write a new book. Due to construction work in their building, she sublets a furnished flat downtown to have peace and quiet. Her work there is interrupted by voices from a neighboring office in the building where a therapist conducts his analysis. She quickly realizes that she is privy to the despairing sessions of another woman, Hope (Mia Farrow), who is disturbed by a growing feeling that her life is false and empty. Her words strike a chord in Marion, who begins to question herself in the same way.
Shortly after, Marion is at her husband's 50th birthday party. In an embarrassing revelation of her friends, Marion learn that her sex life might not be as spontaneous as some others. On another morning, Marion is to meet her sister-in-law Lynn (Frances Conroy) who is running late. She wants to borrow money for their divorce. Marion's insensitivity is on display. Marion learns in that conversation that her brother, though he respects her, hates her.
On another afternoon, she overhears Hope discussing her lost chance at love in the therapist office next door. She reflects on her anniversary party where author Larry Lewis (Gene Hackman), Ken's friend, professed his love for Marion. Then Ken's ex-wife Kathy (Betty Buckley) shows up returning some items and interrupting the celebration by claiming Ken and Marion had an adulterous affair while she was in the hospital having her ovaries removed. Ken has a less than impassioned reaction and escorts Kathy out. Larry renews his pleas, but then accuses Marion of being as dispassionate as Ken.
Marion and her step daughter Laura (Martha Plimpton) travel to visit her father (John Houseman). Laura admires Marion but resents the way she handles people in her life. Old photographs spur memories of when she went off to college but her brother Paul (Dax Munna) was forced to work in a cardboard box factory. There is also a photo of her friend Claire with whom Marion has lost touch.
As they return to the city, Marion sees Hope on the street and takes off in a foot pursuit. Losing her, she runs into Claire (Sandy Dennis) and her husband Jack (Jacques Levy) exiting a theater. They head off for a drink at a bar where her husband hangs on every word Marion says. Claire is jealous and brings up the past when Claire took the attention of her boyfriend David accusing Marion of subtly flirting with him and encouraging his interest. Claire states this is the reason she withdrew from their friendship.
The next day, Hope has nothing to say in the therapist's office. Marion reflect on a poem about a black panther in a case whose only see his way out of the cage was death. Marion begins to see herself as judgmental and putting herself above others. Unable to work, she seeks out her brother Paul (Harris Yulin). He tells her that he feels she is embarrassed by him for pursuing his dreams rather than the paths of success that may have been open to him. However, at dinner that night, a former pupil tells Marion how she changed her life with the lectures in her class.
Not sleeping at night, Marion takes a rest in her workspace and has an introspective dream. First, Marion walks into the therapists office and tells the doctor that Hope's issue is she is deceiving herself. The doctor confides that she has been killing herself for most of her adult life. Then her father walks in and begins listing the regrets he has had in his life. Next, she is witnessing a scene played out on stage of her own marriage and the lack of passion in it. Then she chats with Larry Lewis and finds out about his life, his lack of regret and that she has become a character in his book. Then she is to witness her first husband's "suicide scene" in which his death was ruled strangulation. He felt he imparted a kind of strangulation he imparted on her, his former student, with his knowledge and opinions she seemed forced to accept. She comes to realize that, like her father, she has been unfair, unkind and judgmental to the people closest to her: her unsuccessful brother Paul and his wife Lynn, who feel they embarrass her; her best friend from high school Claire, who feels eclipsed by her; her first husband Sam, who eventually committed suicide; and her stepdaughter Laura, who admires her but resents her high-handedness.
That night Marion and Ken are out with the Banks, friends of whom they are not particularly fond. When they return home, Marion questions Ken why they don't sleep together any more. That night Marion lies awake and remember when she gave a gift to the professor who became her first husband. She remembered the mask, the only thing she could afford, and how they kissed through it.
The next day Marion is in search of an anniversary gift for her husband. She wanders into an old antique store and finds Hope sobbing. She finally manages to meet the woman in therapy as she contemplates a Klimt painting called "Hope". Although she wants to know more about the woman, she ends up talking more about herself, realizing that she made a mistake by having an abortion years ago and that at her age there are many things in life she will not have anymore.
When Marion returns to the work space she overhears the conversation between Hope and her therapist where Hope is describing the encounter with Marion and how she met a woman who was really sad though she wasn't in a position where anyone would think she should be. She has led this cold cerebral life without feeling. Hope worries that she will follow the same path toward an empty life if she does not change. Hope recounted to her therapist that in the midst of their lunch, that Marion noticed her friend Lydia. Upon closer inspection she saw Lydia was there with her husband displaying mutual affection for each other. In the other room, Marion begins to cry. She realizes that her marriage to her second husband, Ken, is unfulfilling and that she missed her one chance at love with his best friend Larry
At home, Ken hurries Marion to get dressed for their anniversary dinner and presents her with gift. Marion declares she isn't going anywhere. She tells Ken she saw him in the restaurant with Lydia. Ken confesses that their affair was a past thing and quite foolish. Marion says in a way she feels sorry for him because he has been as lonely as she has been, Ken doesn't realize he has been lonely, but Marion takes solace in the fact that at least she has come to recognize it.
In the days that follow, Marion gets little work done and walks in the streets. She visited her brother Paul who has chosen to stay with his wife even though they always fight. Marion seeks a clean start with Paul and Lynn. Marion walks with her step daughter and makes sure the pending divorce with her father will not affect their friendship. Marion also goes next door and tell the therapist about the acoustics that allow her to hear his patients. She inquires about Hope but Hope has left treatment and the therapist can't offer any way for Marion to meet her.
Marion resumes work on her book without interruption and it goes very well. One day she stopped to read the novel by Larry Lewis in which a character was based on Marion. In it, the narrator came to realize that Helenka (the Marion character) would certainly be loving and passionate if she put down her walls and allowed herself to feel. Marion reflects that, for the first time in years, she feels hopeful.
    

Another Woman

Minnie and Moskowitz

Gloria

Best Friends for Life

Charms for the Easy Life

Six Dance Lessons in Six Weeks

Grace & Glorie


            Caroline (Kate Hudson) is a young hospice worker who is disillusioned by the reality of this type of work. She is despondent about the death of her own father, who died alone because she was unaware of his situation and was living life on the road with a traveling rock band. Caroline feels guilty about this and has devoted herself to becoming a person who makes a difference.Caroline finds herself confronted by the same type of avoidance that she gave her own father when a patient dies and nobody from his family is even interested in picking up his belongings. The last straw comes when Caroline finds boxes of items belonging to other recently deceased patients, all being stored in a dumpster, thrown out as garbage. Caroline quits her job at the hospice and follows up on a lead for a position as a personal care assistant.A lawyer named Luke (Peter Saarsgard) fields the phone call from Caroline, and he sets up an interview with the family. Caroline visits the secluded New Orleans home, which is an old mansion near a bayou swamp, and meets her potential employers. She will be caring for Ben Devereaux (John Hurt), who seems to have suffered some kind of stroke. His wife, Violet Devereaux (Gena Rowlands), seems to immediately dislike and distrust Caroline, but Luke smooths it over and encourages Caroline to take the position. Perhaps because she finds Ben's condition compelling, Caroline accepts and moves into the mansion.On her way there to move in, Caroline stops by a rural gas station and notices odd details around the rundown facility, including a line of red dust that has been placed across the threshold of the building. The strange proprietors have hung animal bones and other talismanic items around the place.Caroline settles into the mansion and notices that all the mirrors in the house have been removed, seemingly recently. Violet warns Caroline that she's decided to take them down and Caroline is not to replace them. Violet gives Caroline a "skeleton key", which is intended to open every door in the huge house, but she finds a strange, small door in the attic that it does not unlock. Caroline is intrigued, seeing as Ben supposedly suffered his stroke in the attic. When she questions Violet about the small room, Violet says she's never been in the room because she could not unlock it.Ben's condition alarms Caroline from the start. He does not appear to be a stroke victim, but actually seems paralyzed by some other means. Violet has Caroline administer "remedies" to him periodically, but when they are alone, Ben seems to be trying to tell Caroline that he is in danger. One night Caroline finds that Ben has somehow climbed out onto the roof outside his bedroom window, and he falls a short distance to the ground. Retrieving Ben's wheelchair, Caroline finds that Ben has written "Help Me" on his bedsheets, using soil from a potted plant. After hiding the bedsheet, she returns with the wheelchair, but Violet refuses to call a doctor.Caroline eventually gets into the locked attic room and finds a large collection of bizarre items that are obviously intended to be used for some kind of magic. She also finds all of the house's mirrors, she she hangs one in Ben's room, much to Violet's horror. Caroline finds out a little about magic from her friend and former roommate, Jill (Joy Bryant). Jill seems to think that the magic in question is Hoodoo, a type of folk magic which, unlike Voodoo, is not related to any kind of religion. Jill mentions that Hoodoo only holds power over those who believe in it; if you do not believe, its spells can't harm you.After visiting the secret room again, Caroline unearths a vinyl record that is labeled "The Conjure of Sacrifice". She takes it to her own apartment so that she can listen to it in private, and it contains Papa Justify's voice reciting an incantation.Later, after a confrontation about the strange goings on, Violet explains the mansion's sordid past to Caroline. Years ago, the house was occupied by wealthy white owners. A pair of black servants, Papa Justify and Mama Cecile, were brutally attacked and lynched during a party that was attended by many wealthy, powerful guests. They were apparently well versed in the ways of Hoodoo, and Justify had even discovered a unique spell that was called the Conjure of Sacrifice. Justify and Cecile were discovered in the attic conducting a magic ritual with the two small children of the house, and the party guests reacted by dragging them outside, hanging them from a tree, and burning their bodies. Violet tells Caroline that she has removed all the mirrors from the walls because you can see the spirits of Justify and Cecile in the mirrors.Seemingly anxious to put this to the test, Caroline uses her small compact mirror and holds it up to Ben's face while she is bathing him. After looking into the glass, Ben reacts in horror, and Caroline feels that Ben believes in Violet's superstitions. She gets the idea to visit a woman that Jill has told her about, a woman who sells magic items from the back of a public laundromat. Caroline describes Ben's situation to her and the woman gives her a spell intended to reverse whatever hex has already been placed on him. When Caroline enacts the spell, Ben begins to speak to her, begging her to help him, but Violet interrupts.Caroline confides in her suspicions to Luke, who seems to accept her theories about magic but also does not take them very seriously. When Caroline attempts to show him the bedsheets that Ben wrote "Help Me" on, she finds the message is no longer there. She takes Luke to the gas station where she saw the magic items, and she now recognizes the dust sprinkled across the doorway; this is red brick dust, which she has learned is intended to keep one's enemies at bay. In one of the shacks behind the station, Caroline finds an old woman listening to vinyl records just like the ones in the Devereaux's attic. Caroline asks her if she's ever heard of a record called the Conjure of Sacrifice, and the old woman reacts in horror.Caroline is now convinced that Violet herself has put a spell on Ben, and that she must get Ben away from the house for the spell to be broken. She concocts a plan to drug Violet and spirit Ben away from the mansion, but Violet catches on. Caroline interrupts her before she is able to draw a magic circle around herself, and Violet passes out. Caroline gets Ben and tries to escape in her car, but Violet awakens and recites spells that keep the car from breaching the locked gates of the house grounds. As Violet emerges from the house with a shotgun, Caroline manages to hide Ben in the tool shed and she promises to return for him. She then escapes through the swamp in a rowboat. Emerging on another shore of the swamp, she hitches a ride back to New Orleans and goes to Luke's apartment, just as he gets a phone call from Violet. When Luke goes into another room, Caroline rummages through his desk and finds a skeleton key from the house, as well as a few items from the secret room in the attic. Luke suddenly appears behind her and strangles her until she is unconscious.When she wakes up again, she is bound and gagged, and Luke is driving her back to the Devereaux mansion. Violet meets them and tells Luke not to "scratch her up any more than she already is." They force Caroline to tell them where she has hidden Ben, and when Violet goes to get him, Caroline breaks away from Luke and hides in her bedroom, where she has spread brick dust across the doorway. Using a jar of red brick dust, she begins to seal herself off in the house, covering every dooryway and blocking Luke's advances towards her, but Violet appears and smashes the jar. They struggle on the second floor of the house, and Caroline hurls Violet over a banister. She falls, breaking her legs in the process, and Caroline makes a 911 phone call to the police. Immediately afterwards, she calls Jill and tells her she is in trouble at the Devereaux mansion, but Violet has dragged herself back upstairs, and she cuts the phone cord.Unable to leave the house yet because of Luke, and trapped on the second floor by Violet, Caroline runs into the attic. Using a schematic that she snatched away from Violet, Caroline draws a magic circle around herself, using sulfur, chalk, blood and hair. This is the circle in which the Conjure of Sacrifice takes place. Violet drags herself into the attic just as Caroline finishes the circle. Caroline feels as if she's safe in the circle, but Violet tells her "Who did you get that spell from, Caroline? Wasn't it me?" Caroline begins to feel as if they wanted her in this circle after all. Violet unveils a full length mirror and advances on Caroline with it, while Caroline says over and over "You can't hurt me, I don't believe! I don't believe!" Both Violet and Caroline scream and are knocked to the floor by some kind of explosion, which shatters the mirror as it falls on Caroline.Afterwards, they both awaken, but Caroline now is cool and calculating and talks like Violet, because now "Violet" is in her body. The true purpose of the events have become clear: "Violet" was never really Violet to begin with, she was the spirit of Cecile in Violet Devereaux's body. Luke has similarly been taken over by Papa Justify; Ben and Violet Devereaux were simply the last host bodies that Cecile and Justify had managed to perform the "Conjure of Sacrifice" with. It seems as if the first victims of this 'transference of souls' were the two children the night of the lynching; the ritual that was being performed allowed the souls of Justify and Cecile to switch bodies with the children, who were then trapped in the bodies of Justify and Cecile and murdered. From the children, Justify and Cecile had managed to transfer to Ben and Violet. With both bodies being in old age, they set up the trap again, luring Luke into the transference and trapping his soul in the aged body of Ben Devereaux while Justify's spirit, which was occupying Ben's body all these years, transferred to Luke's young body. Caroline was intended all along to be Cecile's next host body, which explains why Cecile (in Violet's body) told Justify/Luke to "not scratch her up any more". The challenge had been to get the cynical Caroline to believe in Hoodoo.The film ends as Caroline, now trapped in the body of Violet Devereaux, is loaded into an ambulance with "Ben", who is really Luke inside Ben's body. They are to be taken away to hospice care to die, both of them unable to speak and unable to communicate to anybody what has happened to them. Jill, who is responding to Caroline's desperate phone call, arrives at the mansion in time to see them taken away on stretchers. Caroline (in Violet's body) looks on in desperation at Jill, wanting to tell her what happened but hexed into being mute. Justify and Cecile, now housed in the young bodies of Caroline and Luke, send Jill along with them in the ambulance.
    

The Skeleton Key

Paulie

Unhook the Stars


            A successful architect, dogged by a mid-life crisis, purges his material trappings then retreats into a self-imposed exile on a remote Greek island in a vain attempt to bring meaning to his life.
    

Tempest

Broken English


            The film begins with a young man (Paul Dano) who has run away from home. He looks meek and soft, a geek with thick glasses. He shares the bus trip with another male runaway who has jumped free from an army school called Matt Soulby (Justin Chatwin). The bus gets a flat tyre, so they buy a second-hand car from a garage man (Bill Two Rivers). That car gets a flat tyre as well. When Matt is changing the tyre, his companion pushes him onto an incoming car. Both Matt and the driver of the car die.Angelina Jolie plays an FBI profiler, Special Agent Illeana Scott (Angelina Jolie), who is sent to Montreal to help in a murder investigation. Agent Scott's approach to profiling the serial killer is somewhat eccentric. She goes to a crime scene, lies down in the position the victim was found, and uncovers clues the police did not notice. She gets inside the head of the serial killer and comes up with a theory that the killer is assuming the lives and the identities of the people he kills.The mother of the serial killer, Mrs Archer (Gena Rowlands), sees her evil son, who was supposed to have been killed by a truck years earlier, on the ferry. She goes to the police and talks to Paquette (Olivier Martínez), but they do not let him reopen the case. Later, when the serial killer kills again, they have a witness who is an artist called James Costa (Ethan Hawke), who can draw his face. This was the clue they needed although Costa can't be too specific about the details. The police finally contact his mother and collect more information about him. The murderer was the non-preferred younger sibling of a pair of twins. Illeana insists. The police are protecting Mrs Asher, but she doesn't allow them to register her home. Illeana enters the home, thinking that she'll get off easier of the charges as she is an outsider who may not know the rules which are applied in Canada. There, she goes up to the penthouse and looks to a shabby place full of old-fashioned toys, a teddy-bear which has been hanged... Suddenly, she is attacked by somebody who appears from under the dirty mattress and runs away.Agent Scott gets involved romantically with Costa, clouding her judgment, so she wants off the case. However, the Canadian police think that she is their best assest, so they keep her on the case. They think that the killer may be one big potential buyer of Costa, so he'll be used as bait. Costa goes to the toilets after having received a note, but the police tell him to forget about everything - although there is a suspense moment when the police cannot hear Costa and he goes to the bathroom on his own.The investigation goes on, and Costa finally confronts his evil twin: Hart (Kiefer Sutherland). In the ensuing fight, Costa is hurt, but Hart jumps from the window and leaves in his flashy car. The police run after them, and Hart's car burns to ashes to Hart inside. Costa is hurt but alive. That night, he and Illeana make love.Mrs Asher has to identify her dead son. She gets shocked and leaves without saying anything after looking into the corpse's eyes. The police laugh at her. Illeana goes after her because she smells something fishy.Mrs Asher has already gone into the lift. Costa is inside: he is the evil twin. His mother says that she's not afraid of him. When Illeana arrives, Mrs Asher has been killed and lies in a pool of blood.Costa has left to the underground. He starts talking to a man, and he takes his life, as usual. Leclair (Tchéky Karyo), the man in charge, is angry with Illeana because Costa has run away.Time goes on. Illeana goes back to the USA and she is spelled from the FBI. She has become white trash, living on a derelict wooden house somewhere in the countryside. She is pregnant.One day, Costa arrives with a physical appearance somehow different. She wants to kill her because she is pregnant of his babies, male twins. There is a fight: he has taken away all the loaded guns Illeana had hidden away all over her home.James takes a pair of scissors and he thrusts them into Illeana's womb. She takes the scissors and thrusts them into James Costa's heart. While he is giving his last breath, Illeana shows him how she has tricked him. She is not pregnant at all: she has carried a fake pregnancy bag on her belly under her clothes. James Costa dies.Illeana phones Leclair. He says that he's glad to hear from her, as he was beginning to feel worried about her. Leclair will go immediately to Illeana's home to save her some of the trouble with the questioning and paperwork.
    

Gena Rowlands

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