The American Revolution


            
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American Cinema


            Joe Turner (Robert Redford) is an employee of the CIA. He's not a secret agent, his job is to read, and he and his co-workers at the American Literary Historical Society read everything; books, comics, magazines, and they scan everything into a database to be cross-checked against real CIA operations. On a rainy December morning it's business as usual, so no one notices the non-descript man sitting in plain sedan across the street from Joe's building, checking off names of every employee as they enter.Inside, Joe looks for an answer to a letter he'd sent to the main CIA office at Langley. He has a theory about connections he's noticed between operations in Venezuela, Saudi Arabia, and other locations around the world, but so far there's no response. Noon approaches, and it's his turn to go out for lunch. Since it's still raining, he ducks out the basement door (which is against regulations) and cuts through several back alleys to the deli. Meanwhile, the sedan out front quietly pulls away after signaling to 3 men (one is a mailman) waiting in the street. They move in with quiet determination and knock on the front door. The mailman stands in view of the camera while the other two wait behind him.At the deli around the block, Joe picks up lunch for the others and then runs back. Since the rain has stopped, he goes to the front door, and buzzes the security intercom to be let in, but gets no answer. Pushing on the door, he finds it is unlocked, which it never is. Inside he finds a scene of carnage. Everyone has been murdered, shot to death in the few minutes he has been gone. Fighting down his shock and horror, he grabs a pistol from the receptionist's desk and flees.Suddenly, everyone on the street looks suspicious, and Joe realizes that whoever killed his coworkers is probably still looking for him. He finds a payphone and calls an emergency contact number at the CIA. "This is...uh...'Condor'" Joe says, fighting through the shock to remember his code name. "The section's been hit. Everyone's dead." Told not to panic, and to call back in two hours, a CIA response team quickly arrives and verifies Joe's story. Higgens (Cliff Robertson), the section chief in New York, wonders why in the world someone would take out a research office like this, and calls his supervisor at CIA headquarters.Joe calls back and is told to stay alive 1 more hour. One of the other workers had called in sick, so Joe goes to his apartment. He finds the co-worker in bed, shot to death, just before two men show up. Joe returns to his apartment building and is about to go in when a neighbor, sweeping the sidewalk, tells him that him that the two friends that he was expecting are waiting for him upstairs. Joe takes off without a word.When Joe calls the CIA back, he's to meet his dept. head in a specified back alley off 72nd street where he'll be picked up and brought in safely. Very skittish over the murder and close calls, Joe hesitates because he's never met his section chief (Wicks) or Director Higgins. They see in Joe's file that a college friend, Sam Barber, is a CIA accountant. Joe agrees to the meet if Sam is there. When Joe enters the alley, only Sam is visible. Suddenly, Wicks darts into view and shots ring out. His own department head is trying to kill him. Joe fires back and wounds Wicks and then runs away in a panic. Wicks is seriously injured, but steadies himself long enough to shoot Sam in the throat. Convinced he can trust no one, in desperation he kidnaps a woman on the street as she gets into her truck. Kathy (Faye Dunaway) is terrified, but drives Turner to her apartment. Terrified himself, he holds the gun on her as he tries to figure out what to do next.Gradually, Kathy begins to realize that Turner is in real trouble and doesn't want to hurt her, but she still doesn't believe his story. When 6pm rolls around, he turns on the evening news only to find that they are calling the incident in the alley an attempted robbery in which only Wicks was shot. There is no mention of Sam. Still unsure of Kathy's loyalty, he ties her up and sneaks over to Sam's apartment in her car. Sam's wife Mae (a former lover from college) has prepared dinner and drinks as if she and Sam were expecting him. When pressed, she reveals that the office (CIA) had called AFTER Sam met Joe in the alley to say he would be running late. Joe realizes that this is a trap and hustles Mae upstairs to the neighbors.Realizing the assassin is hard on his tail, he tries to get out of the building alive, and when he gets on the elevator, Joe finds himself next to a quiet man in a trenchcoat. This is Joubert (Max Von Sydow), a freelance assassin from Europe. (As we will learn, his hobbies include fine wine, classical music, and painting military miniatures from perhaps the Napoleonic Era.) Some inner sense tells Joe that this fellow is part of the problem, and Joe lags behind as Joubert walks out through the lobby. Convincing a group of loitering youth to walk out with him and screen him, he makes it back to Kathy's Bronco as the trenchcoated man waits nearby, holding a sniper rifle, seeking Joe in the crowd. Unable to get a clear shot, Joubert runs after the truck and uses his scope to get the vehicle's license plate number.Joe returns to Kathy's apartment just as her boyfriend is calling. Joe lets Kathy talk to the boyfriend, who is angry, at first, that she's not on her way their rendezvous. Kathy is on-the-edge but manages to hold up her end of the conversation. They hang up. Joe begins to feel guilty and tells her that he'll leave in the morning. They discuss her work (photography) and Joe pieces her life from his observations. Joe says he just wants to "make it all stop" for a few hours - the horror. They connect. They spent the night together.The next morning, Kathy is in the shower when THE Mailman (the guy who rang the bell at the building the day before) knocks at the door. Joe has been traced here via Joubert's writing down of the license plate the night before. The Mailman/hitman has a package for Kathy that must be signed for. Joe doesn't want to open the door but the Mailman has a well-rehearsed reply for every one of Joe's objections. (Joe yells through the window, "She's not home!" Mailman: "That's OK, YOU can sign for it." etc.) Joe opens the door but the Mailman's pen doesn't work (again, a rehearsed device to enable the Mailman to get inside and shut the door). As Joe goes looking for a pen he glances back at the Mailman's shoes. Suddenly, a stunned Joe realizes the Mailman is a hitman. He knows this because of the distinctive style of shoes he wears - one more thing Joe picked up in his voluminous reading. Thinking fast, he hurls hot coffee at the Mailman just as the nasty guy begins firing with a suppressor-equipped machine gun. The machine gun ends up on the floor. Joe's .45 is out of reach. A fight ensues - the Mailman is a martial arts expert with a nasty kick; Joe wields a fireplace poker and knows this man is a trained killer. Kathy emerges from her shower to find them fighting, provides a crucial bit of help to Joe, and retreats. The fight continues. Kathy's photo equipment plays a pivotal role. The fight concludes with Joe retrieving the .45 in the nick of time, firing two shots, and killing the Mailman/hitman. Kathy emerges to find her living room messed up and Joe sitting next to the dead mailman. She, needless to say, is terribly upset. Joe tries to console her. Joe searches the hit man and finds a couple of vital pieces of information including a hotel key (mentioned below). Joe and Kathy must now flee because the bad guys know where he is.Despite his fear, Joe has the beginnings of a plan, and Kathy agrees to help. They visit the NYC office of the CIA and Kathy pretends to apply for a job, then gets "lost" while she looks for Joe's section chief, Higgins. Once spotted, she helps Joe kidnap him while he eats lunch, and Higgins is hustled into the back of Kathy's Bronco. Interrogated by Turner, he confesses that he doesn't know what's going on any more that they do. "This is obviously an inside operation", he says, and it doesn't help that Wicks died, mysteriously, in the hospital. Joe confronts Higgins with the Mailman's ID and that he had a phone number that rang an office in CIA-Langley. Higgins begins to suspect that the lead assassin is Joubert, a former CIA assassin that now does contract work. Back at the office, Higgins does a search and finds information linking Joubert and the Mailman as partners in past CIA hits.Joe manages to put the pieces together by tracking down Joubert, the quiet man in the trenchcoat. Joe found a hotel key on the Mailman and finds Joubert in the same hotel. Tapping into the phone exchange in Joubert's hotel, he monitors the calls, and places an anonymous one himself to Joubert. "Do you believe the Condor is an endangered species?" he asks, and hangs up. Joubert quickly calls his controller, and Joe is able to track the call to a man named Atwood, a high-level supervisor in the CIA. From a telco trunk, he crosswires 50 phones to block a trace and calls to tell Higgins that he's found Joubert and asks who Atwood is. Higgins doesn't answer and Joe hangs up. One of Higgins supervisors is listening close by and tells him "this" needs to be ended, NOW. As he prepares to confront Atwood, Joe thanks Kathy for all her help, and they reluctantly part company.At Atwood's country home, the stereo suddenly comes on in the middle of the night, and when he investigates the noise in his study, Atwood finds Turner sitting quietly in a chair, holding a gun. Forced to confess, Atwood tells Joe that the hit on the section was due to that paper he'd sent to CIA headquarters. Joe demands to know why so many people had to die over some nothing book that suddenly became popular in the Middle East, Netherlands (Dutch), Mexico, Venezu......ohhhhh....OIL! Atwood is involved in a scheme to manipulate the world's oil markets and Turner's paper had hit too close to the truth. He and anyone else who might know about it had to be eliminated. Furious, Joe points the gun at Atwood."Drop the gun," says a quiet voice; It's Joubert, standing quietly behind him. Realizing his defeat, Joe drops the pistol on the floor and waits for the inevitable, thinking that at least now he knows why all this has happened. Joubert, still holding his gun on Joe, takes a position next to Atwood, and like a cobra strike, turns and shoots Atwood in the right temple! As Joe stutters, Joubert places his gun in Atwood's hand and calmly begins to wipe down the room, asking what he had touched. Joe realizes that Joubert had a new contract to take out Atwood. Joubert confirms, "Atwood had become an embarrassment," and that the contract that Atwood put on Condor has died with him.After leading him outside the house and handing back his pistol. "Can I drop you somewhere?", he asks in a friendly tone. Joe agrees to be taken back to New York. As they leave, Joubert advises that his life will never be the same again and there is no guarantee that "someone" won't decide that he's a liability in the future. He even describes how IT might happen, and offers that Europe is not a bad place to live. Impressed by how he handled the situation, Joubert suggests that he strongly consider a future as an assassin.With a new lease on life, Joe still has a few loose ends to tie up. Returning to New York, Joe waits for Higgins to walk past on the street, and they have a tense final confrontation. Higgins explains that the CIA does business this way because they need to. There is no other way. Turner disagrees, and as they stop in front of a distribution center of the New York Times, Turner tells Higgins that they've become too used to killing people as part of their job. He's told a reporter everything."Ah, you fool," sighs Higgins. "You've done more harm than you know." As Turner walks away, Higgins calls after him. "It didn't have to end this way Condor. You're about to become a very lonely man." Joe seems not to care. He believes he's had his revenge on the CIA, and he fades away into the crowd as a Salvation Army Band plays Christmas music. But the haunting last words of Higgins linger in the air: "How do you know they'll publish? How do you know???"
    

Three Days of the Condor


            Sonora Webster lives with her sister and abusive aunt during the Great Depression. She learns that because of her accidentally letting the cows loose and her suspension from school, her treasured horse Lightning has been sold and she will be placed in an orphanage. Instead, Sonora slips out of the house during the night. She ends up at a county fair and sees a performance by Marie, a diving girl who rides a horse off a platform, and aspires to do the same. Doc Carver, Marie's employer, tells her she is too young but gives Sonora a job as a stable hand due to her ability with horses, and she begins traveling with them. Doc's son Al wins a wild horse in a card game and Sonora names him Lightning. She later surprises Doc by taming and riding Lightning, so he promises to train her as a diving girl if she can mount it while it's moving, which she succeeds after multiple attempts.Marie falls and dislocates her shoulder, leaving her unable to perform, and Sonora steps in. Although she has never dived with Lightning, their first jump is successful. Marie becomes jealous, and as Doc tires of her diva-like behavior, she quits rather than share billing with Sonora. Al develops a romance with Sonora that strains his relationship with his father, leaving after a particularly bad fight. Al promises to write to Sonora, but Doc hides his letters. As Doc and the new stable hand Clifford leave the farm in search of work, Lightning falls ill with colic. Al returns, and he and Sonora work together to heal Lightning. Doc fails to find any jobs, but Al announces he has arranged a six-month contract to perform at the Steel Pier in Atlantic City, New Jersey, reconciling father and son. Doc passes away en route from a heart attack, and Al assumes his father's role as show presenter. Sonora searches for Doc's jacket to give Al confidence on his first show, and finds one of Al's letters inside, confessing his love for her, letting him know she feels the same.Al proposes to Sonora just before a performance in front of their biggest crowd, which she accepts. The horse is a jittery stallion instead of her usual partner Lightning, who falters and trips due to a cymbal crash below. Sonora keeps her eyes open as they fall into the water. Both of them make it, but her vision is impaired, yet she hides this from Al. Sonora wakes the morning after to discover she is permanently blind from detached retinas in both eyes. To avoid a breach of contract lawsuit, Al must find another diving girl within a week, calling Marie, who returns. Meanwhile, Sonora misses diving terribly. She tells Al of her desire to dive with Lightning again, and they work together to try to train her to mount him again, but it proves fruitless and Al gives up. Sonora spends some quiet time with Lightning that night.The next day, with Clifford's help, Marie is locked in her dressing room, and Sonora performs in her place with Lightning. Al shouts at her to come back down, but she continues and the jump is successful. Her voiceover tells us that she continued diving for eleven more years with the audience never learning of her blindness, and of her happy marriage to Al.
    

Wild Hearts Can't Be Broken


            In 1978 Vancouver, B.C., Canada, local hustler and promoter Paul Snider (Eric Roberts) gazes into a mirror as he practices introducing himself. He is known among local nightclub owners for his exploitation of women, his relentless ambition, his narcissistic personalty, and his remarkable talent for remembering people's names. One evening, upon entering a Dairy Queen restaurant, Paul is transfixed by a beautiful young 18-year-old clerk named Dorothy Stratten (Mariel Hemmingway). A romance develops, and after several dates, Paul meets Dorothy's family on the night of her senior prom. Both Dorothy's brother, George, and her mother (Carroll Baker) dislike Paul, but he succeeds in endearing himself to Dorothy's youngest sibling, Eileen (Lisa Gordon).At the prom, Dorothy identifies the "jock" to whom she lost her virginity under the influence of alcohol, and the jealous Paul furtively jabs him with a penknife. Afterward, Paul takes Dorothy back to his apartment and convinces her to pose for semi-nude photographs. He hires a professional photographer, promising him a $1,000 "finder's fee" if she is offered a contract by Playboy magazine. Paul also hires a second photographer, offering the same terms, and awards him the fee. The photos get into the attention of Playboy publisher Hugh Hefner (Cliff Robertson) who invites Dorothy to audition in Los Angeles, California, but when her mother refuses to sign the parental consent form, Paul forges her signature.After passing the audition, Dorothy is told that she will be featured as the "centerfold" in the magazine's August 1979 issue. With Hugh Hefner's help, Dorothy secures a job at the local Playboy Club and moves into her own apartment.Back in Vancouver, Paul has a tryst with an exotic dancer, who suggests that Dorothy may also be having affairs. Fearful of losing her, Paul telephones Dorothy and proposes marriage. He flies to Los Angeles and accompanies her to a party at the Playboy mansion, where he alienates Hugh Hefner with his sycophantic behavior. Dorothy is introduced to film producer Phil Wass, who offers her a small role in the low-budget production, 'Ball Bearings'. When Dorothy informs Hefner of her impending marriage, he advises against it, saying Paul has "the personality of a pimp." Although Dorothy proceeds with the marriage, Hefner keeps her under contract and sends her on a personal appearance tour.Paul earns a modest living producing a nightclub act comprised of male exotic dancers, while Dorothy appears in another low-budget film, 'Wednesday's Child'. Paul interrupts the production with a telephone call, and convinces Dorothy to finance his purchases of an expensive Mercedes-Benz sedan, promising to adorn it with a custom license plate that reads, "Star 80." Unable to afford a home of their own, Paul and Dorothy share a rented house with a young doctor named Geb (David Clennon), who notices Dorothy's growing disillusionment with Paul.Certain that Dorothy has a bright future as an actress, Hefner convinces acclaimed film director Aram Nicholas (Roger Rees) (loosely based on film director Peter Bogdanovich) to cast her in his next picture, to be filmed in New York City. Dorothy worries that Paul will resent her extended absence, but Paul is more concerned with maintaining Dorothy's celebrity status and gives his consent. Once production is underway, however, Paul suspects Dorothy of sleeping with Aram Nicholas, and hires a private detective (Josh Mostel) to spy on her.Meanwhile, Paul continues to have affairs of his own with other women, such as Billie Joan Worth, whom he seduces with the promise of an audition for Hugh Hefner. Exasperated by Paul's nightly telephone calls, Dorothy complains to Aram about her husband's controlling behavior and constant need for validation. The director convinces her to end the marriage, and then seduces her.In Los Angeles, the private detective informs Paul of the affair, advising him to sue Aram for alienation of affection. Paul purchases a pump-action shotgun, and wallpapers his bedroom with photographs of him and Dorothy. Geb and his girl friend, Robin, notice Paul's increasingly erratic behavior, and worry that he may attempt suicide. Upon her return to Los Angeles, Dorothy admits her affair with Aram, but promises Paul continued financial support, while ignoring his pleas to save their marriage. Dorothy agrees to a second meeting with Paul, despite Aram's advice to avoid him. The private detective equips Paul with a transmitter to wear during the meeting, enabling them to gather evidence for a lawsuit. When the transmitter fails to work, Paul decides to keep his appointment with Dorothy, confident that he and his estranged wife will reconcile.The following afternoon, Dorothy arrives at Paul's house and promises him $7,000, half of her savings. Paul is insulted by the offer, and threatens to shoot himself after Dorothy refuses to continue their business relationship. When she tries to comfort him, Paul alternately becomes enraged and apologetic. Dorothy offers herself to Paul and they have rough sex, even though he resents her pity. Afterward, Paul places the shotgun to Dorothy's head and fires, killing her.Meanwhile, the private detective attempts to reach Paul by telephone but gets no reply as Paul will not pick up the phone. At the same time, Aram edits his film. Elsewhere, Hugh Hefner considers Billie Joan Worth as a candidate for a Playboy centerfold. Back at the apartment, Paul places the shotgun to his own head, and says, "They won't forget Paul Snider," before pulling the trigger, killing himself.
    

Star 80


            In 1959, Michael Courtland (Cliff Robertson), a New Orleans real estate developer, has his life shattered when his wife Elizabeth (Geneviève Bujold) and young daughter Amy are kidnapped. The police strongly recommend that he provide the kidnappers with shredded blank paper instead of the demanded ransom, and he agrees to the plan. This leads to a bungled car chase in which both kidnappers and victims are killed in a spectacular explosion. Courtland blames himself for the deaths of his wife and daughter.15 Years later. Courtland is morbidly obsessed with his dead wife, and regularly visits a monument he has had built in her memory. The monument is a replica of the church (Basilica di San Miniato al Monte) where he and Elizabeth had met many years before in Florence, Italy. His real estate partner Robert LaSalle (John Lithgow) convinces Courtland to tag along on a business trip back to Florence. While there, Courtland revisits the church, and suddenly comes face to face with a young woman named Sandra (Bujold again in a dual role) who looks exactly like his late wife. The already slightly unhinged Courtland begins to court the young woman, and subtly attempts to transform her into a perfect mirror image of his dead wife.Courtland returns to New Orleans with Sandra so they can marry. On their wedding night, Sandra is kidnapped and a ransom note is left behind by her abductors. It is an exact replica of the kidnappers' message from fifteen years before. This time, Courtland decides to deliver the demanded cash. He withdraws massive quantities of money from his accounts and business holdings, financially ruining him and forcing him to sign over his interest in the real estate business to LaSalle. In the process, he discovers that his entire ordeal, including the original kidnapping, had been engineered by LaSalle as a way to gain sole control of Courtland's company share holdings. The now nearly insane Courtland stabs LaSalle to death.Knowing that Sandra must have been a willing accomplice in the plot against him, he goes to the airport to kill the escaping woman. On the plane, Sandra has a flashback to her part in the scheme; she is in fact Courtland's daughter, allowed by LaSalle to survive the explosive traffic "accident" from years before that had killed her mother. LaSalle had told her lies about Courtland over the years, convincing her that her father had not paid the ransom because he didn't love her. Sandra, who now loves Courtland, attempts suicide on the plane and is taken off the flight in a wheelchair. Courtland sees her and runs toward her, gun drawn. A security guard attempts to stop him but Courtland smashes the briefcase full of money against the guard's head, knocking him unconscious. The briefcase breaks open and all of the money flies out. Sandra, seeing the fluttering bills, stands up and shouts: "Daddy! You brought the money!" Courtland now realizes for the first time who Sandra really is, and father and daughter fall into a deep embrace.
    

Obsession

Man on a Swing

J W Coop


            "Wind" depicts the struggle between young recreational sailor Will Parker's (Matthew Modine) ambition and his love for Kate Bass (Jennifer Grey) in the context of the America's Cup sailing competition, inspired by the real-life events surrounding the first time the American sailing team lost the America's Cup. The opening scene is a seductive portrait of the couple, with Will daydreaming about sailing victories and Kate sunning au naturel on the beach in a pristine cove with emerald water. Will is invited to join legendary American skipper Morgan Weld's (Cliff Robertson) racing team to train and compete in the annual international regatta, the America's Cup. Will invites Kate to come with him and she agrees, swept away with his passion, herself a capable sailing enthusiast and aeronautical engineering graduate student.As Will moves up the ranks in the exclusive boys club of the elite sailing world it is clear that Morgan Weld has big plans for him. The Americans have held the America's Cup title since the regatta began and Morgan has no intention of losing it to his rival, the cocky Australian skipper Jack Neville (Jack Thompson). The physical training for the race proves Will's worth and Morgan promotes him to skipper of the secondary boat. Will and Kate's romance continues to flourish as Will offers to make her a part of his sailing team, an otherwise all male contingent. Kate puts her academic career on hold and joins Will's team, staying to potentially compete in the regatta.Trouble comes for Will and Kate when Morgan promotes Will to tactician for the lead boat, Radiance, with Morgan as skipper. Morgan also makes it clear that none of his boats are any place for a woman and that Will must kick his girlfriend off the team in order to maintain the necessary chemistry between the crewmembers. It is clear that Kate is a part of the team and the older Morgans chauvinist attitudes prompt her to question her reasons for staying. After a lovers quarrel, Kate leaves Will and the regatta to return to her aeronautical engineering career.The final face-off between the Americans and the Australians has the American boat in the lead as the teams prepare to pass the last mark and head back down the home stretch. Just as Morgan starts to think he has got the Australian team beat, a problem with the main sail appears and forces one of the crew to the top of the mast to fix it. Morgan, determined not to give up any ground to Jack Neville, sacrifices his crewmember at the top of the mast and Will looks on horrified as is teammate is battered against the mast by the wind and the movement of the boat on the waves. Morgan and Will argue over the best line to follow while tacking around the final buoy and the Radiance collides with the actual mark. The regatta rules require the Americans to circle back around and make a clean pass around the buoy, barely avoiding giving up the lead to the Australians in the process. Will knows the importance of making sure that the Radiance doesn't fall into the wind shadow of Jacks Australian boat or the Radiance will lose all her power, but Morgan ignores his tacticians advice and the Australians overtake the Radiance to defeat the Americans, stealing the title from the Americans for the first time since the race's inception.Six months later, Will tracks down Kate in Deadman's Flats, Arizona, where she has been working on aeronautical research with Joe Heiser (Stellan Skarsgard), another aeronautical engineer and mathematician. Will quickly learns that Kate and Joe's relationship is not a strictly professional one. Will stays, though, and forms an uncommon bond with Joe. Joe convinces Will to help him build a boat to compete in the next year's America's Cup, using Will's lifelong dream in order to make a name for himself as a boat designer and engineer. Will attempts to gain Morgan Weld as a financial back for the endeavor, but is rejected by a now deranged and unstable Morgan. Will does find an ally, and intimate partner, in Morgan's adult daughter, Abigail Weld, but his feelings towards Kate remain the same. The foursome of Will, Joe, Abigail and Kate are somehow able to muster the financial and engineering resources to build a sloop worthy of competing in the America's Cup, to reclaim the title from the Australians.After several hard-fought battles, the Americans, under skipper Will Parker, face-off for a second time against Jack Neville and the Australians in the final race of the Americas Cup. Will has replaced his tactician with Kate after a judgment error of the former one cost the Australians their mast and the Americans the previous race. Despite Jack Neville's underhanded tactics, Will and Kate manage to beat the odds with the American team and reclaim the Americas Cup title in an epic set of final scenes, rekindling their old flame as their shared dream of winning the Americas Cup comes true. The thinly veiled commentary on ambition, love and individualism in the face of tradition and the world's greatest boat race all come together in the final celebrations by the Americans, appropriately ending as it began with a simple scene of Will and Kate holding hands against a backdrop of waves crashing on a beach.
    

Cliff Robertson

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Cliff Robertson

Cliff Robertson Movies or Tv Shows (upto May 2025) - Watch Online

Your region:USA

Fan Zone

Cliff Robertson's Movies and Tv Series available to Stream now ..

Your region:
USA