
            This film centres on a red violin created in 1681 by Cremonese master violinmaker, Nicolo Bussotti, for the forthcoming birth of his child. The film tells the subsequent fate of the violin in episodes, linked together by a fortune telling, read by the servant woman Cesca, for Nicolo´s pregnant wife, Anna. Instead of predicting the future of Anna, the tarot cards reveal the future of the violin. The violin was to become Nicolo´s final masterpiece, an impossible instrument with perfect resonance in all three characteristics. Following the death of his wife Anna in childbirth, Nicolo varnishes the violin with ingredients from which it derives it red colouring. The main return point in the movie is the auctioning of the Red Violin at the Duval auction house in Canada. The film then proceeds to follow the violin's history as it passes from person to person beginning at an Austrian monastery where it goes from child to child, culminating its sojourn at the monastery with a talented orphan of about 6 years age, Kaspar Weiss. Kaspar is taken under the wing of mentor Georges Poussin, but Kaspar comes to an untimely death auditioning to the Prince Mansfeld. The violin "slumbers" in the grave with Kaspar, but is dug up and moves on to have several gypsy owners. One band of gypsies brings the violin to the English country lands of Lord Frederick Pope, who is a violin virtuoso. Lord Pope overhears the violin being played by the gypsies. Pope readily procures what he immediately perceives to be an exceptional violin. He is aesthetically or carnally transfixed by this one violin in such a manner that his jealous lover first leaves him to travel to Europe, then returns unannounced. Whereupon she shoots the violin when she discovers Pope in bed in a ménage-a-trois with the violin & another woman. Subsequently Pope kills himself and the violin gets taken to China by Pope´s former servant who sells it at the bond shop of a Shanghai merchant. This merchant only sees the value of the gemstone mounted in the scroll of the violin, and he removes the stone. By 1937 the violin belongs to a bourgeois Chinese family.The violin then barely survives the Great Proletarian Cultural Revolution of a communist China which at that time found western music unacceptable. Ultimately, when the collector dies the Chinese government "inherits" the by now anonymous violin in a motley collection of stringed instruments, including at least one genuine Stradivarius. At the Canadian auction descendants of the previous owners of the violin are there competing for the red, together with one Charles Morritz (Samuel L. Jackson) who is a violin expert who was to authenticate and value the Stradivarius for Canadian customs assessment. Serendipitously Morritz is one of the few people who suspects the truth about the anonymous red instrument included in the consignment from China. He tries to keep his suspicions secret, but as the film proceeds we see one after another determined buyers of the red violin arrive at the auction.
    

The Red Violin


            An Italian designer travels to Istanbul to sell a traditional Turkish steam bath left to him by a deceased aunt. Upon arrival, he becomes enthralled by the city and decides to renovate and return the bath to the public. This sudden change of heart may have something to do with the fact that he's fallen in love with a beautiful young local boy. Their romantic relationship is cut short when the designer's wife arrives in Turkey with her own agenda.
    

Steam: The Turkish Bath


            
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Honey

La Scorta


            This is the summer when young Lucy, a 19-year-old American, has decided to lose her virginity. For the summer holidays, she arrives in a beautiful place in Tuscany, a villa on a hilltop owned by an English artist, where she discovers different interesting people of different age at different stages of life, of different commitment, understanding, and sexuality.Her dead mother left Lucy her diary which points out she was conceived on this very hilltop, but doesnt say who her father is; Lucy has to find out.Lucy also wants to give herself to the young Italian, Nicolo, who kissed her four years ago, but she discovers that life is not always what you have decided, especialy when love is concerned, it is not that simple, but it is beautiful. She takes in all this beauty. We all steal beauty from the world. We need it as we live, as we create (the object of the artist, or creating life), as we comply to life, as one's loses one's virginity.Life feeds on stealing beauty, before becoming beauty itself. Lucy has grown up.
    

Carlo Cecchi

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